Shooting for the Western Canon
By John "Birdman" Bryant
I am a book lover, and I am a celebrator of Western civilization,
but I am not a celebrator of what is often called the 'Western
canon', ie, the books of ages past which the authors of Western
civilization have created. Yes, some of these books -- a very few
-- are worthwhile to read in the present day, and all were
important at one time or other; but most were superseded long
ago, and their value is minimal beyond representing a small white
footprint in the sands of time.
("Lives
of great men all remind us
We can make our lives sublime
And departing, leave behind us
Footprints in the sands of time.")
Valuing these books in the present day is a little like
celebrating the stones which are used to build a cathedral,
rather than celebrating the cathedral itself. More particularly,
in my humble opinion there are very few books written earlier
than the mid-19th century which are worth reading today, and the
valuable part of these books will usually be found to be small.
Looking at a list of the canon assembled by the
pro-white/pro-western civilization writer Yggdrasil and available
on the Internet at http://home.ddc.net/ygg/etext/index.htm , I find only the following
authors whose works contain substantial portions that I believe
might be worth reading in the sense of supplying useful or
positive ideas:
* Aristotle
* Boole
* Clausewitz
* Darwin
* Euclid
* Gibbon
* Hume
* Kant
* Leibnitz
* Mackay
* MacDonald (contemporary)
* Mill
* Nilus
* Oliver (contemporary)
* Orwell (contemporary)
* Shahak
* Smith
* Spencer
* Sun Tzu
As I stated above, in the older books there is often only a
little of the author's work which remains useful; but in most
cases the useful material has been extracted by others and
elaborated into more useful forms. Kant, for example, is credited
with the important analytic-synthetic/a priori-a posteriori
distinction, but later philosophers have improved on Kant
considerably, and I have strong doubts if there is much in Kant's
work which is useful today besides this, except possibly the fact
that he did not hold the darker races in high regard. Likewise,
Leibnitz was co-discoverer of the calculus, which will forever be
his great intellectual monument; but his theory of monadology, in
which he envisioned the universe as comprised of tiny conscious
particles called 'monads', was a theory that deserves to be
dispatched to the merciful land of Nepenthe. A situation similar
to that of Kant is Plato, whose discussion of ideas/ideals set
philosophers to thinking about the difference between real
objects and their 'types', a train of thought which has
culminated in my own work on existence status, which I discuss at
length in my hopefully-soon-to-be-published book, Logical
Alternatives: Studies in the Philosophy of Logic and Existence.
Besides what may be called the 'good and useful works' of the
Western canon, there are also those whose efforts, while
deserving familiarity, have been noticably negative in one way or
another, including the works of Machiavelli and Marx. Somewhat
similar is the category of writings whose ideas have been
failures, including Utopia
(tho still inspiring in all its variants, particularly More's
suggestion that chamber pots should be made of gold), the US
Constitution (a 'noble experiment', but clearly a failure now)
and Burke's Reflections on the French
Revolution (basically a defense of
monarchy, another failed idea, tho democracy has been less than a
perfect replacement, and indeed may itself be said to be a
failure in the forms in which it has been tried.)
Our above comments, however, do not address the real problem with
the Western canon, or at least with the list that Yggdrasil has
composed. The real problem is that most of the works listed are
either trivial or dated or both. Specifically, a large number of
the works listed by Ygg are simply entertainment (Shakespeare,
Twain, Chaucer, Scott etc) or children's stories (Andersen,
Aesop, Carroll, Grimm); others are works of history which were
long ago superseded (Thucydides, Herodotus, Caesar, Carlyle,
Tacitus etc); and yet others are religious works of interest to
virtually no one (Calvin, Knox, Luther) which in several cases
are simply entertainment placed in a religious setting (Dante,
Milton). Even the works on Ygg's favorite topic -- race -- are
fatally dated in most cases (Ford, Grant, Hitler, Stoddard), for
there has been an explosion of knowledge on racial matters in
just the last decade or so, mediated primarily by the Internet,
which could not possibly be comprehended by the works which Ygg
lists except for MacDonald.
Now before going further, let me make a confession: My
acquaintance with most of the works which Ygg lists is
superficial, and superficial acquaintance makes a somewhat risky
basis for commentary. However, the principle on which I base my
comments is simply that old works -- except for some artistic and
literary creations -- become superseded; and while they may stand
as grand milestones in the progress of man, that does not mean
that one would wish to return to them, except perhaps for
scholars and specialists, who may seek to tease further insights
out of the works that could have been passed over by earlier and
less sophisticated readers. It is for this reason, perhaps, that
Mark Twain proffered his now-famous definition of 'classic' as 'a
book that people praise but don't read': They don't read it
because they usually have something better, and they only praise
it because they don't want to collide with the studied ignorance
of what my dear departed mother used to call
"cult-cha".
Now being in a confessional mood, let me say that there is often
more to literature than meets the eye, and in fact a good deal of
literary 'entertainment' was actually thinly (or thickly)
disguised commentary on a world where it would have been
dangerous to state such commentary without a literary disguise.
Perhaps the most famous of literary commentators was Jonathan
Swift, whose powerful philippics and romans
a clef have been forgotten in favor of
treating his works as -- irony of ironies -- CHILDREN'S stories (Sic transit gloria Swift
kick).
Accordingly, for students of earlier times, the reading of
'literary' works is a necessity; but this hardly raises them to
the status of must-read books for contemporary readers.
In conclusion I would like to comment on a few of the works and
the authors which Ygg has selected for his inclusion in the
canon:
* Ygg includes Sun Tzu (and alphabetizes his name under 'Tzu'
when it should be under 'Sun' -- and is there nothing new under
the Sun?). If this guy is a Westerner, I have simply got to get
new glasses.
* Ygg includes Dumas pere.
While Dumas was a great storyteller, he was also a mulatto, and
what with Ygg blanching at the thought of negroes, I find Dumas'
inclusion surprising.
* Ygg includes Don Quixote,
a book which was intended as a mockery of chivalry. While the
book is well-known -- it even gave us the word 'quixotic' -- it
is hardly relevant to anything in the present day, altho it was
read to me by my parents when I was a child. Perhaps that is the
fate of 'classic' books that cease to be understood for their
original meanings, as was the case with Swift's books.
* Ygg includes HG Wells. While I don't know much about Wells'
writing, I do know that he was a Fabian socialist and New World
Orderly, and I hate to think that the Western canon is infected
by such persons.
* Ygg includes Kierkegaard, one of the founders of
'existentialism'. While I don't know much about this philosophy,
I know enuf to keep away from it -- it is what can be called a
'philosophy of non-meaning' and its adherents include such
buggerheads as Camus and Sartre -- Nobelists to be sure, but
buggerheads just the same. If anything exemplifies the antithesis
of rational Western philosophy, existentialism is it.
* Ygg includes Godel. Godel was brilliant; he just didn't have
much common sense. He concocted an absurd scheme which ended up
proving nothing except that he could manipulate symbols to no
good purpose. The entire matter is explained in complete detail
in my book Systems
Theory and Scientific Philosophy, obtainable thru my website at
www.thebirdman.org (see book section).
* Ygg includes the work of the Jewish writer Adorno, a member of
the Frankfort school, which is considered by those of the
pro-white/pro-Western civilization persuasion to have been a
nexus of destructive cultural influence.
* Ygg includes numerous religious works, but also includes
Voltaire's Candide.
This is curious because Voltaire was a raging atheist who hated
the Church, and who often signed his letters with "Ecrasez
l'infame" ("Crush the horrible
thing"). Furthermore, Candide
was a mocking response to Leibniz's apparently pious remark that
we are living in 'the best of all possible worlds' -- something
which evidently struck Voltaire as particularly absurd in view of
the famous Lisbon earthquake which killed a large number of
people and left many others in distress.
* Ygg includes Nietzsche. Nietzsche is unreadable. He also hated
Christianity (cf Voltaire). Finally, he died insane, and -- in my
view -- lived insane. One thing's for sure -- he was no ubermensch.
* Ygg includes Burns. Burns, like Neitzsche, is unreadable, but
this is because he writes in the Scottish brogue. Poetry is often
difficult to understand, but what with Burns croonin' and
burrrrin', it's well-nigh impossible.
("The
best-laid women o' mice and men gang-bang agley.")
* Ygg includes Shakespeare. If there is anything closer to fraud
in the literary world than the celebration of Shakespeare, I
haven't heard about it. In Shakespeare's favor it may be said
that he had a few good lines, but that is about it.
("Sex,
the innocent sex, that knitteth up the raveled sleeve of care;
Balm of hurt minds; Great nature's second course; Chief nourisher
in life's feast.")
Basically Willy was a politically-correct hack who wrote for the hoi
polloi. He was the Harold Robbins of the
Elizabethian theatre -- his references to sex and other forbidden
topics were so frequent as to inspire a certain Mr Bowdler to
issue an expurgated edition of his works -- an act which gave us
the word 'bowdlerize'. The Elizabethian theatre itself was less
like anything we call 'theatre' today than it was akin to a porn
parlor with viewing booths, where the little man has to go around
to mop up after each viewer has 'finished'. (In the Elizabethian
theatre, chicken bones and other detritus freely littered the
floor.) Shakespeare can probably be forgiven his political
correctness -- in his plays about the royalty of England he would
have risked being drawn and quartered had he, for example,
pictured Richard III as a hero -- and for that matter, Richard
deserved the scorn that Willie heaped on him, tho it seems unfair
that Will depicted Richard as a cowering loser ("My kingdom
for a horse!") at the battle of Bosworth Field, since a
substantial portion of Richard's troops deserted him before the
battle had even begun. But my gripe with Shakespeare is not that
he was a hack -- hell, Harold Robbins probably made money hand
over fist, and who can knock the green stuff? -- but rather that
people actually study his writing and think of it as
'literature'. (Well, at least they got the first part right --
LITTER.)
Let me put it this way. As to plays, of which Willie wrote a few,
these are supposed to at least be fun, and maybe instructive; so
if someone has to STUDY them, then he has clearly missed the
point -- and even worse, teachers never tell you about the sex!
As to Shakespeare's poetry, as represented primarily by his
sonnets, Shakespeare showed himself to be both technically
deficient and intellectually sparse, as I have shown in my book BETTER THAN SHAKESPEARE: A
MODERN AUTHOR DEMONSTRATES SHAKESPEARIAN INCOMPETENCE AND THE
ESTABLISHMENT'S CORRUPTON BY REWRITING THE SHAKESPEARIAN SONNETS
AND THE POETRY OF OTHER MAJOR AUTHORS.
("How
do I hate thee? Let me count the ways...")
You may obtain this book thru my website, www.thebirdman.org, and
I strongly suggest you do -- perhaps then you can persuade Ygg to
include it in his list.
Or to put it another way, the Western canon is shot. Let's fire
it.
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