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The Wrong
Stuff
Are you sure we went to the moon 25 years ago? Are you positive? Millions of Americans believe the moon landings may have been a US$25 billion swindle, perpetrated by NASA with the latest in communications technology and the best in special effects. Wired plunges into the combat zone between heated conspiracy believers and exasperated NASA officials.
By Rogier van Bakel
"Columbia, he has landed Tranquility Base. Eagle is at Tranquility. I read
you five by. Over." The voice from Houston betrayed no emotion, although this
was anything but business as usual. A human being was about to set foot on the
moon for the first time in history, armed only with the Stars and Stripes, some
scientific instruments, and an almost reckless, can-do demeanor that had
captivated the world.
The reply from Columbia, the command-and-service module that had released the
lunar lander 2 hours and 33 minutes earlier, betrayed only equal professional
cool. "Yes, I heard the whole thing," Michael Collins said matter-of-factly.
Houston: "Well, it's a good show."
Columbia: "Fantastic."
That's when Neil Armstrong chimed in. "Yeah, I'll second that," said the
38-year-old astronaut, the moonwalker-to-be, America's own Boy Scout, and the
most famous man in the - well, in the universe. And even though the static ate
away at the clarity of his consonants, Armstrong's sneering tone came through
loud and clear. The mission control man heard it too. And he knew what was
coming. Sort of.
"A fantastic show," Armstrong said. "The greatest show on earth, huh, guys?"
There was a moment's silence. Then a cameraman sniggered. And the director
sighed, and did what directors do when actors screw up their lines. "Cut," he
groaned. He was a heavyset man in his 50s, and the combination of the long hours
and the hot studio lights had started to get to him.
"Shit, Armstrong, if you're gonna be a smart-ass, do it on your own time, all
right? We got 25 tired people on this set. We got a billion people who are going
to be watching your every move only a week from now. We're on deadline here.
Now, do you suppose you could just stick to the script and get it over with?
Thank you."
His assistant stepped forward with the slate. "Apollo moon landing, scene
769/A22, take three," she announced.
"Action!"
"Columbia, he has landed Tranquility Base," the mission control man began
again.
Superfraud The history books lie. So do the encyclopedias and the commemorative videos
and the 25-year-old coffee mugs with the proudly smiling faces of Neil
Armstrong, Edwin Aldrin, and Michael Collins. When Armstrong got down from that
ladder, proclaiming that it was only a small step for him but a giant leap for
mankind, he was merely setting foot on a dust-covered sound stage in a
top-secret TV studio in the Nevada desert. NASA's cold warriors and spin doctors
faked the whole moon landing. Come to think of it, they faked all six moon
landings - spending around US$25 billion to prove to the world that not even the
Soviets, especially not the Soviets, could hold a candle to the US when it came
to space exploration.
Well, at least, that's the view of writer Bill Kaysing. It's also the
conviction of millions of Americans who have learned to distrust their
government with a passion. Most of these skeptics don't even appear to be
steamed about the alleged superfraud. They shrug and raise their palms and go
about their business. Not Kaysing. He seems to have never heard a conspiracy
theory he didn't like, and this one tops 'em all. For almost 20 years now, he
has been trying to get out "the most electrifying news story of the entire 20th
century and possibly of all time." He has written a book aptly titled We
Never Went to the Moon and won't give up trying to uncover more evidence.
Kaysing, a white-haired, gentle Californian whose energy level seems
mercifully untouched by his 72 years, worked as head of technical publications
for the Rocketdyne Research Department at their Southern California facility
from 1956 to 1963. Rocketdyne was the engine contractor for Apollo.
"NASA couldn't make it to the moon, and they knew it," asserts Kaysing, who,
after begging out of the "corporate rat race," became a freelance author of
books and newsletters. "In the late '50s, when I was at Rocketdyne, they did a
feasibility study on astronauts landing on the moon. They found that the chance
of success was something like .0017 percent. In other words, it was hopeless."
As late as 1967, Kaysing reminds me, three astronauts died in a horrendous fire
on the launch pad. "It's also well documented that NASA was often badly managed
and had poor quality control. But as of '69, we could suddenly perform manned
flight upon manned flight? With complete success? It's just against all
statistical odds."
President John F. Kennedy wasn't convinced at all that the endeavor was next
to impossible. In fact, he had publicly announced in May 1961 that "landing a
man on the moon and returning him safely to earth" would be a Number One
priority for the US, an accomplishment that was to instill pride in Americans
and awe in the rest of the world. And so, Kaysing believes, NASA faked it,
acting in accordance with the old adage that in a war, the truth is often the
first casualty. (Cold wars, he and his fellow conspiracy believers say, are no
exception.)
To hear him tell it, NASA had good reason to stage moon landing after moon
landing, instead of simply admitting that lunar strolls would have to remain the
stuff of science fiction novels, at least for a while. "They - both NASA and
Rocketdyne - wanted the money to keep pouring in. I've worked in aerospace long
enough to know that's their goal."
Absent Stars There is an almost instinctive rejoinder to all of this: but we saw
it. If television ever had a killer app, the moon landing was it. We bought
new sets in droves, flicked them on as zero hour approached, and, miraculously,
felt ourselves being locked into an intangible but very real oneness with a
billion other people. It was our first taste of a virtual community, of cultures
docking. It felt good. And now there's this guy telling us that it was all a
lie? C'mon! His rockets are a little loose. What proof does he have anyway?
Kaysing points out numerous anomalies in NASA publications, as well as in the
TV and still pictures that came from the moon. For example, there are no stars
in many of the photographs taken on the lunar surface. With no atmosphere to
diffuse their light, wouldn't stars have to be clearly visible? And why is there
no crater beneath the lunar lander, despite the jet of its 10,000-pound-thrust
hypergolic engine? How do NASA's experts explain pictures of astronauts on the
moon in which the astronauts' sides and backs are just as well lit as the fronts
of their spacesuits - which is inconsistent with the deep, black shadows the
harsh sunlight should be casting? And why is there a line between a sharp
foreground and a blurry background in some of the pictures, almost as if
special-effects makers had used a so-called "matte painting" to simulate the
farther reaches of the moonscape? "It all points to an unprecedented swindle,"
Kaysing concludes confidently.
But just how could NASA possibly have pulled it off? How about the TV
pictures that billions of people saw over the course of six successful missions:
the rocket lifting off from the Cape Kennedy launch pad under the watchful eye
of hundreds of thousands of spectators; the capsule with the crew returning to
earth; the moon rocks; the hundreds, perhaps thousands, of space-program
employees in the know who would have to be relied upon to take the incredible
secret to their graves?
Easy, says Kaysing. The rockets took off all right, with the astronauts on
board, but as soon as they were out of sight, the roaring spacecraft set course
for the south polar sea, jettisoned its crew, and crashed. Later, the crew and
the command module were put in a military plane and dropped in the Pacific for
"recovery" by an aircraft carrier. (Kaysing claims that he talked with an
airline pilot who, en route from San Francisco to Tokyo, saw the Apollo 15
command module sliding out of an unidentified cargo plane, but he can't provide
the captain's name or the name of the airline.) The moon rocks were made in a
NASA geology lab, right here on earth, he continues. Not very many people on the
Apollo project knew about the hoax, as they were only informed on a need-to-know
basis. Cash bonuses, promotions, or veiled threats could have ensured the
silence of those who were in on the whole scheme.
Zero Gravity
Kaysing is not alone in his assertion that NASA has been, um, mooning the
public. Bill Brian, a 45-year-old Oregonian who authored the 1982 book
Moongate, agrees that there is "some sort of cover-up." Although Brian
thinks that his fellow investigator may very well be right in saying that we
never went to the moon, he believes there is an entirely different reason for
many of the inconsistencies the two have found. Maybe we did go, Brian says, but
it's possible we reached the moon with the aid of a secret zero gravity device
that NASA probably reverse-engineered by copying parts of a captured
extraterrestrial spaceship. Brian, who received BS and MS degrees in nuclear
engineering at Oregon State University (although he now holds a job as a policy
and procedures analyst at a utility company), uses his "mathematical and
conceptual skills" to reason that the moon's gravity is actually similar to
Earth's, and that most likely, the moon has an atmosphere after all. He has
crammed the appendices of his book with complex calculations to prove these
points, but he trusts his intuition, too: "The NASA transcripts of the
communication between the astronauts and mission control read as if they're
carefully scripted. The accounts all have a very strange flavor to them, as if
the astronauts weren't really there."
But why in the world would NASA feel compelled to cover up knowledge of a
high-gravity moon? "It's a cascading string of events," explains Brian. "You
can't let one bit of information out without blowing the whole thing. They'd
have to explain the propulsion technique that got them there, so they'd have to
divulge their UFO research. And if they could tap this energy, that would imply
the oil cartels are at risk, and the very structure of our world economy could
collapse. They didn't want to run that risk."
As this issue of Wired goes to press, a new book is headed to the
stores: Was It Only a Paper Moon, by Ralph René, "a scientist and
patented inventor." Published by tiny Victoria House Press in New York, in what
it has announced will be a first run of "at least 100,000 copies," Paper
Moon supposedly presents the latest scientific findings regarding the moon
landing. René offers data suggesting, among other things, that without an
impractical shield about two meters thick, the spacemen "would have been cooked
by radiation" during the journey. Ergo, the lunar endeavors were impossible, and
were cynically faked at the expense of gullible people everywhere.
Other conspiracy buffs don't doubt that men walked on the moon but call the
fact irrelevant because extraterrestrials made it there ages ago - and NASA
knows it and has preferred to keep it a secret. In his recent book,
Extra-Terrestrial Archeology, David Childress points out various
unexplained structures on the moon and argues that these might be archeological
remnants of intelligent civilizations. Childress, an avid believer in UFOs, also
doesn't rule out the possibility that aliens still use the moon as a base and a
convenient stepping stone for their trips to our planet. This might even mean,
enthuses the author, that the moon is really "a spaceship with an inner
metallic-rock shell beneath miles of dirt and dust and rock."
Children and Senators Although very few Americans subscribe to such grandiose theories, millions of
people doubt the authenticity of the lunar missions, much to NASA's
exasperation. Over the years, the agency's public services department went
through reams of paper answering incredulous schoolchildren, teachers,
librarians - and even US lawmakers like former Sen. Alan Cranston (D-California)
and Sen. Strom Thurmond (R-South Carolina), who had written to NASA relaying the
doubts of some of their constituents. As many as 100 million Americans, says
Kaysing, are inclined to disbelieve the whole lunar adventure. Like many of his
statements, that one should be taken with a grain of salt: his proof is based on
his observation that "almost half the people who phoned in to radio and TV
shows" he has been on supported him. That's hardly irrefutable proof.
But when Knight Newspapers (one of the two groups that later merged to form
Knight-Ridder Inc.) polled 1,721 US residents one year after the first moon
landing, it found that more than 30 percent of respondents were suspicious of
NASA's trips to the moon. A July 20, 1970, Newsweek article reporting the
results of the poll cited "an elderly Philadelphia woman who thought the moon
landing had been staged in an Arizona desert" and a Macon, Georgia, housewife
who questioned how a TV set that couldn't pull in New York stations could
possibly "receive signals from the moon." The greatest skepticism, according to
Newsweek, surfaced in a ghetto in Washington, DC, where more than half of
those interviewed doubted the authenticity of Neil Armstrong's stroll. "It's all
a deliberate effort to mask problems at home," explained one inner-city
preacher. "The people are unhappy - and this takes their minds off their
problems."
Poll or no poll, even James Oberg, a nemesis of Kaysing, conservatively
estimates that the disbelievers may number between 10 and 25 million Americans.
Oberg works for NASA contractor Rockwell International as a space-flight
operations engineer with the space shuttle program. He writes as a second
profession, covering all aspects of space activity, with a special interest in
space folklore. Myths have a way of blossoming in the fertile soil of scientific
discovery, Oberg notes. "Every age of exploration is the same in that respect -
from the time of the Phoenicians...to Marco Polo, and including mermaids and
unipeds and all these mythological creatures that lurk at the edge of our
exploration. To me, it's extremely humanizing to have this typically human
reaction - this denial, this myth making - to our lunar adventure. I'm not at
all surprised that these stories or interpretations exist. Actually, I'm
surprised they aren't more widespread."
Nonetheless, hoax believers can be found in many parts of society, here and
abroad. According to Oberg, Cuban children are officially taught that Yankee
space technology failed miserably and that NASA was reduced to pitifully faking
every single lunar landing. Some New Agers also contest the possibility of moon
landings, as do Hare Krishnas. Non-mainstream Christians at the Flat Earth
Society - a Lancaster, California-based anti-science group of about 3,500
members - contest the entire field of astronomy (not to mention moon landings).
They liken the towering launch pads to the Tower of Babel.
The eccentricity of such convictions certainly intrigues Oberg. "I respect
these people's dedication to their view of the world. One reason they fascinate
me is that they're a constant reminder to me that we can't rest on common
knowledge, we can't be complacent with our traditional interpretations of things
- even though these interpretations are almost always right. But I also find
their pathology of reasoning, or non-reasoning, compelling. We define health by
the boundaries of pathology, and I try and define rational thought by looking at
cases that go over the edge."
That's damning praise indeed. So it's no surprise that Bill Kaysing doesn't
much care for James Oberg, whom he dismisses as "a NASA agent."
Good Timing If NASA had really wanted to fake the moon landings - we're talking purely
hypothetical here - the timing was certainly right. The advent of television,
having reached worldwide critical mass only years prior to the moon landing,
would prove instrumental to the fraud's success; in this case, seeing really was
believing. The magic of satellites, with their ability to enable live global
(and interplanetary?) communication, fascinated and awed millions of people,
much like anything atomic had caught the public's fancy in the previous decade.
Also, space research and rocket science had advanced far enough to make a trip
to the moon likely - or, at the very least, remotely feasible. "The structural
nature of technology had changed to make the moon landing possible, but that
also made it possible for people to doubt it," says Gary Fine, a sociology
professor at the University of Georgia in Athens specializing in rumor and
contemporary legend.
Perhaps more importantly, Watergate hadn't happened yet, and people still
trusted their elected officials. "A distrust of authority clearly plays into
this whole thing," argues Fred Fedler, who teaches journalism at the University
of Central Florida and has written a book on media hoaxes. "With Vietnam and
Watergate, people have become less trusting, and to some people it doesn't
matter what the government says; their immediate reaction is to disbelieve and
to sometimes embrace the opposite view."
The distrust continues to be fed by the mass media, especially in the film
and TV business. It is rare to find a movie in which a government agency is
actually depicted as a collection of fairly efficient, competent people who
serve their country to the best of their ability. Dramatically speaking, an
elite of sinister, evil bureaucrats is much more appealing. Linda Degh, a
retired folklorist who taught at Indiana University in Bloomington, and who has
recently published a book titled American Folklore and Mass Media, is
reminded of the film Capricorn One. Released in 1978, Capricorn One tells
the story of a staged flight to Mars. The astronauts grapple with the moral
implications of the giant charade and fear they might be killed to keep them
from blowing the whistle. Sure enough, they find themselves hunted down by
bloodthirsty government thugs; only one of the astronauts makes it to freedom
and reporters' microphones. Degh recalls that it was "quite a slanderous movie,
pretending that the government had been killing people," and she believes that
it must have given a powerful boost to the moon-landing hoax theory. "The mass
media catapult these half-truths into a kind of twilight zone where people can
make their guesses sound as truths. Mass media have a terrible impact on people
who lack guidance."
007 Uncovers Hoax Peter Hyams, Capricorn One's director, agrees that mass media can be
very powerful - dangerously so, in fact. "My parents believed that if it was in
The New York Times, it was true. I was part of the generation that grew
up believing that if we saw it on television, it was true. And I learned how
inaccurate newspapers were, and I realized that TV is just as inaccurate, or it
can be. So I said, wouldn't it be interesting if you took a major event where
the only source that people have is a television screen, and you showed how easy
it would be to manipulate everybody." Hyams insists that he made Capricorn
One "for entertainment, for fun," not because he was making not-so-veiled
references to the alleged Apollo hoax. "I was aware that there were people who
believed that we never walked on the moon, but I never read their books or
consulted with them. And frankly, I think they are being totally ludicrous."
(Nevertheless, an invitation to a sneak preview screening at the time of
Capricorn One's release said: "Would you be shocked to find out that the
greatest moment of our recent history may not have happened at all?")
The concept of the moon swindle holds a certain appeal for other filmmakers
as well. In Diamonds Are Forever (1971), James Bond accidentally stumbles
onto a movie set that consists of rocks, a lunar backdrop, and a vehicle that
looks like NASA's Eagle. Men in spacesuits move about slowly and clumsily, as if
simulating low gravity. Bond's pursuers give chase, but 007 - stirred, but not
shaken - climbs into the lunar lander and makes his escape. The scene is never
explained. In the high-tech thriller Sneakers (1992), Dan Aykroyd's
character, a gadgeteer and conspiracy enthusiast, refers to the moon landing by
casually remarking: "This LTX71 concealable mike is part of the same system NASA
used when they faked the Apollo moon landings." And a small San Francisco Bay
area production company with a big name, Independent Film and Video Productions,
is working on an as-yet-untitled feature film in which a writer discovers that
the moon landings may have been simulated - and then nearly gets killed in his
quest for the truth.
Simulating One-Sixth Gravity Technically speaking, could the moon landings have been faked? Was the state
of special effects advanced enough in the late '60s to fool even the most
discriminating eye? Simulating one-sixth gravity could have been done with the
use of hydraulic cranes and thin wires - the Peter Pan approach - or by filming
scenes under water, says Dennis Muren. Muren, an eight-time Oscar winner, is the
senior visual effects supervisor at Industrial Light & Magic, a division of
Lucas Digital. He was responsible for making the Jurassic Park monsters
come alive and for key scenes in Terminator 2, Star Wars, and
The Abyss.
"A moon landing simulation might have looked pretty real to 99.9 percent of
the people. The thing is, though, that it wouldn't have looked the way it did.
I've always been acutely aware of what's fake and what's real, and the moon
landings were definitely real," Muren stipulates. "Look at 2001 or
Destination Moon or Capricorn One or any other space movie:
everybody was wrong. That wasn't the way the moon looked at all. There was an
unusual sheen to the images from the moon, in the way that the light reflected
in the camera, that is literally out of this world. Nobody could have faked
that."
Of course, Bill Kaysing will have none of it: "Perhaps this guy [Muren] was
part of the cover-up. Anything is possible." Kaysing likes to paraphrase Alvin
Toffler: "He writes that most people are producer/consumers - he calls them
prosumers. They go through life not questioning anything, not knowing anything.
Ninety percent of the American population has no idea what's going on in this
country. I'd like to be the one to tell them - tell them at least part of it.
I'm either going to share the truth about the moon with them, or I am going to
die trying."
Q: Why is there no
discernible crater beneath the lunar lander?
A: "Although the descent engine of the LM is powerful, most of its operation
takes place thousands of feet above the moon during the early stages of the
landing," says a NASA information sheet. "At the moment of touchdown, a small
amount of surface dust is blown away, but the relatively cohesive lunar surface
seems to deflect the blast sideways."
Q: Why is there an artificial-looking line between a sharp foreground and
a blurry background in some of the pictures of the lunar surface?
A: "What you see is simply the curvature of the moon," explains Paul Lowman,
a NASA geophysicist. "Because the moon is such a small body, the curvature
horizon is only two or three miles away from eye level. That sharp line you see
in some pictures is the visible horizon. The blurry part you see is caused by
mountains sticking up from beyond the horizon."
Q: Why are there no stars in many of the photos taken on the moon?
A: "That's one of Kaysing's sillier arguments," says James Oberg, a
space-flight operations engineer with the space shuttle program. "Go out at
night and take a picture of yourself under a streetlight. Even if there's a
star-studded sky, you'll see no stars in your picture because the camera was set
to properly expose that big lighted object in the foreground - you - and will
not register much weaker light sources."
Q: How about the various lighting anomalies?
A: "On some pictures, astronauts are lit from more than one side because the
sunlight is reflected off the lunar surface or off the landing vehicle," says
NASA spokesperson James Hartsfield. Paul Lowman adds that some conspiracy
believers are unknowingly or deliberately using pictures of astronauts that NASA
never claimed were taken on the moon. "There are pictures being passed on and
published in their circles that appeared in pre-moon landing issues of
Aviation Week - nothing mysterious about them," sighs Lowman. "These are
photos taken in a moon-like training facility at the Johnson Space Center where,
indeed, there were several sources of light."
Not to rain on anyone's parade - but a balloon-faring Dutchman
walked on the moon some 140 years before Neil Armstrong did. In the Southern
Literary Messenger of June 1835, Edgar Allan Poe published the first
installment of that prodigious fable, which he unsuccessfully tried to pass off
as a genuine news story.
Fed up with his miserable life in Rotterdam, one Hans Pfaall, an unemployed
bellows mender, secretly built a giant balloon. His goal: "to force a passage,
if I could, to the moon." He gambled that he would gradually get accustomed to
the very high altitudes. Pfaall purportedly took off on April 1, and, because of
the thinning atmosphere, soon suffered spasms and began bleeding from the ears,
nose, and eyes. He made it though: after 19 days in space, the Flying Dutchman
landed in a crowd of ugly little moon people, who "stood like a parcel of
idiots, grinning in a ludicrous manner, and eyeing me and my balloon askant,
with their arms set akimbo."
Despite the awkward welcome, the world's first astronaut lived among the
unsightly critters for five years, then wrote a letter to the Mayor of Rotterdam
in which he described some of his experiences and negotiated his return. A lunar
messenger whom Pfaall had entrusted with the missive did reach the city (by
balloon, of course) but couldn't be persuaded to land; after dropping off the
letter, he disappeared into the heavens without waiting for a reply - no doubt,
Poe muses, "frightened to death by the savage appearance of the residents of
Rotterdam." (Poe's story is recounted in Media Hoaxes, a book written by
Fred Fedler and published in 1989 by Iowa State University.)
Imagine a telescope lens with a diameter of 24 feet and a weight of almost
15,000 pounds. With it, you could see insects on the moon. OK, so there is no
life on the moon - but that's not what the readers of the New York Sun
were told. In August 1835, the penny paper reported the "findings" of the
British astronomer Sir John Herschel. In a six-part series, reporter Richard
Adams Locke wrote that the scientist, using a huge custom-built telescope in a
planetarium at the Cape of Good Hope (at the southern tip of Africa), had
spotted many spectacular species on the moon. Among them: horned bears, tailless
beavers, and 4-foot-tall ape-like creatures with thick beards and large wings.
Locke referred to them as "bat-men." Actually, there were plenty of bat-women
too, and the two sexes engaged freely in behavior that Locke declined to
describe - it would have been "improper" on earth.
Herschel was a legitimate, respected scientist who remained unaware of his
fictional discoveries for months. When word of Locke's elaborate yarn reached
him, he reportedly laughed and tried to expose the hoax - to little avail.
On June 20, 1977, Anglia TV in England caused a nationwide stir when it
broadcast a documentary called Alternative Three. By linking facts with
half-truths, and by staging interviews with so-called "astronomers" and
"astronauts," the makers suggested that both NASA's space program and the Cold
War were decoys. The power elite in the USSR, the US, and Great Britain had in
fact been working together on a secret project - Alternative Three - that had
established bases on the moon and on Mars, so that they could escape the coming
ecological nightmare on earth. Insiders who were deemed a security risk were
callously murdered. Scientists had been abducted to do experiments in the space
colonies. Even ordinary folks had been snatched and forced into slave labor on
the moon and on the red planet.
Surprise! It was all a hoax, made clear by the closing credits that listed
the actors on the show and that contained a copyright notice dated April 1.
Nonetheless, Anglia was flooded with calls, and newspaper headlines reported
"shock" and "panic." To this day, some people believe that all of it, or some of
it, is true.
Anagram enthusiasts will find that
Copyright ©
1993-2001 The Condé Nast Publications Inc. All rights reserved.
Copyright ©
1994-2001 Wired Digital, Inc. All rights reserved.