_ | \ | \ | | \ __ | |\ \ __ _____________ _/_/ | | \ \ _/_/ _____________ | ___________ _/_/ | | \ \ _/_/ ___________ | | | _/_/_____ | | > > _/_/_____ | | | | /________/ | | / / /________/ | | | | | | / / | | | | | |/ / | | | | | | / | | | | | / | | | | |_/ | | | | | | | | c o m m u n i c a t i o n s | | | |________________________________________________________________| | |____________________________________________________________________| ...presents... Reverie by Reid Fleming 06/06/1999-#370 __///////\ -cDc- CULT OF THE DEAD COW -cDc- /\\\\\\\__ \\\\\\\/ Everything You Need Since 1986 \/////// ___ _ _ ___ _ _ ___ _ _ ___ _ _ ___ |___heal_the_sick___raise_the_dead___cleanse_the_lepers___cast_out_demons___| Often, when I pick up one of my books, I begin to reminisce. Sometimes it has nothing to do with the contents of the book; rather, events spring to mind to which the book was a witness. Or even a participant. My copy of _How to Make War: A Comprehensive Guide to Modern Warfare_ by James F. Dunnigan is such an artifact. If you're ever over at my house, look for it in my bookshelf. If you find it, open the front cover and hold it to the light. You'll notice two pinholes roughly in the middle of the cover. I made those holes one night about ten years ago. I was staying at a friend's house in suburbia. His parents were gone for months at a time, so we had the run of the place. We often took drugs, threw parties, played host to innumerable high school burnouts. One night, a female friend of mine was visiting. Her boyfriend did not arrive with her. I had been suffering from a longstanding crush on her, and that evening it was particularly acute. Somehow or other, she and I end up alone in my bedroom. We're sitting on the bed, talking about nothing. Feeling lucky, I try to put some moves on, but she doesn't respond. Suddenly there's a knock at the bedroom door. It swings open to reveal another friend of mine, just back from Europe. We all hug & talk. After short while, my world traveler friend produces a present for me. It's a piece of hashish from Amsterdam, about the size of a piece of Dentyne chewing gum. Since it was the first hashish I'd ever seen, I thought it looked like a tiny amount. At the sight of the hashish, the girl on the bed perks up considerably. Perfect, I think. I'll get us high, then we'll let nature take its course. I say goodbye to the global drug smuggler, profusely thanking all the while, and then shut and lock the bedroom door. But I have no idea what to do with it. Luckily, my friend knows most everything about all manner of drugs. She explains that it's customary to burn a small amount on the tip of a pin, then trap the smoke in an upturned brandy snifter. This is hard to imagine, but within a couple of minutes I gather the crucial equipment. One pin. One brandy snifter. A lighter. Now we need a platform, something to jam the pin into that will keep it standing vertical. And preferably something portable. That's when I reach over and picked up _How to Make War_. The title was ironic, since making war was the last thing on my mind at that point. I shove the pin through the front cover and then close the book. The pin falls over because the hole is too big. I puncture the cover again, this time more carefully, and the pin stands up straight. My friend puts a tiny piece of hash on the pin, lights it, and turns the wine glass over on top of the pin. After the smoke becomes sufficiently thick, she brings her lips close to the edge of the glass, tilts the glass slightly away from her face, and inhales deeply. I see the air inside the glass become clear. Then I imitate her performance. We each take three or four hits, then lay back on the bed and let the drug take over. As it turned out, nothing happened that night between us. But several months later, she and I did begin a romantic liaison which ended bitterly. I haven't heard from her in years. But right here, next to me, is the book. It bears scars from that night. It's evidence that corroborates my story. And whenever I look at the cover, I think of her, and that night. When I wanted nothing more in the entire world than to touch her. .-. _ _ .-. / \ .-. ((___)) .-. / \ /.ooM \ / \ .-. [ x x ] .-. / \ /.ooM \ -/-------\-------/-----\-----/---\--\ /--/---\-----/-----\-------/-------\- /lucky 13\ / \ / `-(' ')-' \ / \ /lucky 13\ \ / `-' (U) `-' \ / `-' the original e-zine `-' _ Oooo eastside westside / ) __ /)(\ ( \ WORLDWIDE / ( / \ \__/ ) / Copyright (c) 1999 cDc communications and the author. \ ) \)(/ (_/ CULT OF THE DEAD COW is a registered trademark of oooO cDc communications, PO Box 53011, Lubbock, TX, 79453, USA. _ oooO All rights reserved. Edited by Omega. __ ( \ / ) /)(\ / \ ) \ \ ( \__/ Save yourself! Go outside! Do something! \)(/ ( / \_) xXx BOW to the COW xXx Oooo