This has probably been discussed here before, but it seems this movie is very pro-white (waiting for the worms...especially) as most of their music, an attitude from the 80's which will never been seen again.

Also there is a scene where a nigger is making out with a white whore in a car, and the hammerskins come and beat the living fuck out of the beast.

I don't really think The Wall was pro-white. I think they probably just threw in some strange scenes to freak out people on acid trips. :D

Oy vey, you Nazis are dumber than dirt. You're always thinking that mainstream movies and music are "pro-white" (I've even seen you people wondering if Steven Spielberg is a white nationalist!). Roger Waters the lead singer and driving creative talent behind Pink Floyd is a wonderful anti-racist multiculturalist, there's few things that he despises more than racism. He was part of a movement of young British musicians from the early to mid 60's who looked at Britain and saw something wrong, and set about to change it through preaching tolerance and multiculturalism through their music.

Oy vey, sadly that is a fault among many gentile multi-culturalists. But it doesn't make them pro-"white" by any stretch of the meaning.

I respect Roger Waters. He is a very talented singer and songwriter, and Pink Floyd basically sucks without him, but politically he is nothing more then a old hippie, if he does "take up the Palestinian cause" it is only because, among the commie/liberals it has become a popular cause in some ways.

I brought it up once.

http://www.vnnforum.com/showthread.php?t=6620
Was Pink Floyd's Syd Barrett a Racist?



All I know is that in the movie, The Wall , when the musician character Pink goes psycho he becomes a racist. Great imagery.
Was wigged-out ex-member, Syd Barrett, whom the movie character is allegedly patterned after, a racist? Is he still?
Or was it a theme that the Jewish script-writers dreamed up?
Any thoughts?
Insider knowlege?
http://www.pink-floyd.org/barrett/



[QUOTE=NiggersMustDie]This has probably been discussed here before, but it seems this movie is very pro-white (waiting for the worms...especially) as most of their music, an attitude from the 80's which will never been seen again.

Also there is a scene where a nigger is making out with a white whore in a car, and the hammerskins come and beat the living fuck out of the beast.[/QUOTE]

Didn't Syd Barrett go insane or something?

Yes, they had to let him go from the band. He is still extant; when last interviewed puttering in his yard, unwilling to discuss his past, etc.



[QUOTE=hitler goddess]Didn't Syd Barrett go insane or something?[/QUOTE]

I saw Waters perform in concert in Atlanta a few years ago - he reminded me of a old Catholic nun on a rant circa 1968. He hates TV, and that is good. He commented on The Wall DVD that people seem to like part of the movie because jews are spoken of in a politically incorrect manner. (The part about throwing the jews up against the wall.)

But - The Floyd's concert in Pompeii in the seventies suggested the idea that Western civilization was dead and the new barbarians had taken over. I'm sure the jews loved that.

[QUOTE=NiggersMustDie]This has probably been discussed here before, but it seems this movie is very pro-white (waiting for the worms...especially) as most of their music, an attitude from the 80's which will never been seen again.[/QUOTE]
Very Pro-white? Do you call a white woman on her knees throating a nigger security guard pro-white?

Actually the album is anti-white. Its about a rock singer who catches his girlfriend cheating on him and then turns to white nationalism, or some shit! But in the end he sees the evil of his ways :rolleyes:

I love many things in this film, the marching of the blackshirt skinheads was fantastic with the drums as the marched with banners held high through the streets of London. Sadly political uniforms in England were band in the 1930's by a Jew in opposition to the rise of the BUF Blackshirts.

The jew hates order as it goes against his currupt, degenerate nature!

The other great bits of the film were the Skinheads with the rotw guard drogs and the Blackshirt meeting "are there any niggers...." speech! :D

I like the film and have it DVD and the music is good.

[QUOTE=Auschwitz_Part_II]Very Pro-white? Do you call a white woman on her knees throating a nigger security guard pro-white?

Actually the album is anti-white. Its about a rock singer who catches his girlfriend cheating on him and then turns to white nationalism, or some shit! But in the end he sees the evil of his ways :rolleyes:[/QUOTE]

I do not think that blow job scene was celebrating diversity, or putting blacks above whites. It was saying - Yuck, don't let this happen to you, little girl.

The girl is a Nordic victim, misled by judaeo-pop culture/nigger music. Pink is also a 'victim'. The scene where the Keith Richards-type Pink takes a stroll with an Allen Klein-type is an anti semitic comment right there.

But it's not all black and white.

The worst stuff is the bits with the mother, which is alien psycho judaeo-whining. White boys love their mothers and do not sexualize her. It is generally regarded that too much Sigmund Freud messed Roger Water's head up quite a bit.

[QUOTE=Abzug Hoffman]
The worst stuff is the bits with the mother, which is alien psycho judaeo-whining. White boys love their mothers and do not sexualize her. It is generally regarded that too much Sigmund Freud messed Roger Water's head up quite a bit.[/QUOTE]

I agree, what the sick jew feels is not what an Aryan feels. A jew may want to fuck his/her mother, father or both that does not mean Ayans do. The semites are a sick race and sadly try to spread their sickness onto us.

[QUOTE=Auschwitz_Part_II]

Actually the album is anti-white. Its about a rock singer who catches his girlfriend cheating on him and then turns to white nationalism, or some shit! But in the end he sees the evil of his ways :rolleyes:[/QUOTE]

You are wrong. The movie is about him losing his father in WWII. All the songs are basically metaphors. If you watch it closely you will see that anti-semetism is very strong throughout the film. There is also a strong correlation between a dog named "nigger" and pink. My overall point really, is how p.c has taken over since this musical if you will, was made.

I am an American, but when I first heard Ian Stuart's rendition of "Green Fields of France," and "1916" what I saw in my head were scenes of Tommies dying in the mud, which if memory serves me were from The Wall. It's been a while and I may be wrong about that.

It may be hard for Americans to appreciate the impact of the WW1 and the collapse of Empire on British, particularly because America is now in the throws of her own grandiose bellicosity that surely comes before a fall.