John in Woodbridge
November 15th, 2004, 10:20 PM
Perhaps. This review of the film "Mulholland Drive" is to expand on Cat Lady's very thorough review on VNN Homepage.
http://www.vanguardnewsnetwork.com/movie55.htm
http://www.filmtheaterfraterhuis.nl/images/films/0159.jpg
I tend give films extra high marks for originality, and David Lynch films are certainly original (also very strange). With Mullholland Drive, Lynch delivers a masterpiece.
Not to give away to many spoilers, the film is basically two parts. The first part is the illusion, a pretty blonde-haired, blue-eyed "shiksa" arriving in Hollywood starry-eyed and full of promise, will the second part is the reality, a more true to life tragedy of many who seek stardom and fall into obscurity.
One of the main characters in the film is a young, upshot jew director who is instructed by some mysterious powers to be to recast the central lead in his film to a specific woman actor, which he refused to do. He then is contacted by the "Cowboy", to meet him one evening at an abandoned ranch.
The Cowboy, one of hell's minions, is a strange-looking goyish caricature, something the jew has natural contempt for, and replies to in typical jew snideness and arrogance. The Cowboy does not flinch, and in the end the jew give him what he wants, which is the recasting in film.
Lynch films contain bizarre and disturbing imagery, so some may not find the film enjoyable.
http://www.vanguardnewsnetwork.com/movie55.htm
http://www.filmtheaterfraterhuis.nl/images/films/0159.jpg
I tend give films extra high marks for originality, and David Lynch films are certainly original (also very strange). With Mullholland Drive, Lynch delivers a masterpiece.
Not to give away to many spoilers, the film is basically two parts. The first part is the illusion, a pretty blonde-haired, blue-eyed "shiksa" arriving in Hollywood starry-eyed and full of promise, will the second part is the reality, a more true to life tragedy of many who seek stardom and fall into obscurity.
One of the main characters in the film is a young, upshot jew director who is instructed by some mysterious powers to be to recast the central lead in his film to a specific woman actor, which he refused to do. He then is contacted by the "Cowboy", to meet him one evening at an abandoned ranch.
The Cowboy, one of hell's minions, is a strange-looking goyish caricature, something the jew has natural contempt for, and replies to in typical jew snideness and arrogance. The Cowboy does not flinch, and in the end the jew give him what he wants, which is the recasting in film.
Lynch films contain bizarre and disturbing imagery, so some may not find the film enjoyable.