The Hebrew Hammer (2003)

Action/Adventure and Comedy
1 hr. 25 min. Jumpstarting the much-neglected subgenre of "Jewxploitation" (along the lines of 1970's blaxploitation movies like Shaft, Coffy and Dolemite), this is the story of Mordechai (Goldberg), a young vigilant Orthodox Jew "superhero detective" who is recruited by the Jewish Justice League to team up with Esther (Greer), the daughter of the JJL's leader (Coyote), to stop the evil plans of Damien (Dick), the son of Santa (Riehle), to eradicate Hanukkah from calendars forever, so that Christmas will never again have any competition (with an African-American hero, Mohammed, played by Mario Van Peebles, helping out in case Santa goes after Kwanzaa next).
Release Date: December 19th, 2003 .
MPAA Rating: R for language, some sexual references and drug use.
Distributor: Strand Releasing

Starring:
Adam Goldberg Judy Greer
Andy Dick Peter Coyote
Mario Van Peebles Sean Whalen
Alex Corrado Harrison Chad
Nora Dunn Rachel Dratch
Richard Riehle Melvin Van Peebles
Tony Cox Ed Koch

Director: Jonathan Kesselman
Producer: Sofia Sondervan
Josh Kesselman
Lisa Fragner
Screenwriter: Jonathan Kesselman
Cameo: Ed Koch
Melvin Van Peebles
Cinematographer: Kurt Brabbée
Composer: Michael Cohen
Executive Producer: John Schmidt
Edward R. Pressman

This starts off good then goes jewed-christian, then straightens out again.

1. Christmas is about 'joy to the world, Christ was born in Bethlehem, peace on earth, good will to men', and not personal morality = you must love everybody, which is a favorite ZOG directive that was completely unknown to the Christians of my father's day.

2. 'What can my country do for me?' is an excellent question to ask and everyone should be asking it.

A Christmas Message from the ACLU

What is the ACLU telling us?

More than ever before, the media have been full of incidents in which anything remotely related to Christmas has been banned. Schools no longer permit Christmas trees or other decorations, exchanging Christmas cards, or singing Christmas carols. Macy’s, the famous setting of the 1930s Christmas-related movie “Miracle on 34th Street,” no longer permits any display of merchandise or store decorations related to Christmas. Even Congress has got into the spirit of the “season” by displaying a “holiday” tree.

The impetus for this is the ACLU’s unremitting jihad against Christianity. Nominally they are simply attempting to enforce the First Amendment’s prohibition against Congress’s taking any action to establish an official state religion. In addition, the ostensible aim is to prevent anything that might offend the sensibilities of any individual who is not a Christian; deeply offending Christians, however, is good, clean fun.

All of this is well reported territory. So let’s look at what is really being said to us by the ACLU: “You shall have no morality except the arbitrary rules of social justice established by the secular religion of the socialist state.”

This being understood as the true message of the ACLU, what is the true message that ought to be conveyed by celebration of Christmas?

First, it’s obviously not that Christmas is to be the year’s biggest shopping season. No one should begrudge [judeo -]merchants this opportunity [to jew us], but it has little to do with the message of Christmas.

Second, it’s more than just good cheer, though Christians are commanded to be thankful to God for all of life’s blessings. We are to recognize that it’s not about us, but about what we can do for others. The great Biblical commandments, for Jews and Christians alike, are, first, to love God with all our hearts, minds, spirit, and strength, and, second, to love our neighbors as ourselves. In other words, personal morality is at the center of the message of Christmas.

To paraphrase President Kennedy’s inaugural speech, “Ask not what the secular, socialist state owes you; ask not what conduct is prescribed by its intellectual social justice; but look into your own heart and ask what should you, as an individual, do to bring joy and comfort to others who may be hurting, who may be comforted by a bit of human kindness.”

This is the most central of all bedrock principles that form the foundation of Western civilization. Yet it is the very one that the ACLU, and all other socialist organizations, seek to undermine.

For more detailed background, see
The Pledge Under God, Under Attack: Liberty vs License - Part Three, which explains that the ACLU’s interpretation of the First Amendment is historically inaccurate, that merely mentioning a specific religion and even advocating religious morality are not even close to the meaning of “established” religion, as Europeans and the American colonists had experienced it in the centuries before 1787. That posting makes four other points: first, that the atheism espoused by the ACLU is part of the religion of socialism; second, that atheistic socialism is amoral, which means that political rulers are bound by no inherent limits on their powers; third, that wherever atheistic socialism has gained political ascendency despotic rule has followed; fourth; that, while it is inaccurate to say that the United States is entirely a Christian nation, it is historically accurate to say that all of its political institutions were founded upon Christian ideas of morality.
- by Thomas E. Brewton

[QUOTE=Abzug Hoffman]The Hebrew Hammer (2003)

Action/Adventure and Comedy
1 hr. 25 min. Jumpstarting the much-neglected subgenre of "Jewxploitation" (along the lines of 1970's blaxploitation movies like Shaft, Coffy and Dolemite), this is the story of Mordechai (Goldberg), a young vigilant Orthodox Jew "superhero detective" who is recruited by the Jewish Justice League to team up with Esther (Greer), the daughter of the JJL's leader (Coyote), to stop the evil plans of Damien (Dick), the son of Santa (Riehle), to eradicate Hanukkah from calendars forever, so that Christmas will never again have any competition (with an African-American hero, Mohammed, played by Mario Van Peebles, helping out in case Santa goes after Kwanzaa next).
Release Date: December 19th, 2003 .
MPAA Rating: R for language, some sexual references and drug use.
Distributor: Strand Releasing

Starring:
Adam Goldberg Judy Greer
Andy Dick Peter Coyote
Mario Van Peebles Sean Whalen
Alex Corrado Harrison Chad
Nora Dunn Rachel Dratch
Richard Riehle Melvin Van Peebles
Tony Cox Ed Koch

Director: Jonathan Kesselman
Producer: Sofia Sondervan
Josh Kesselman
Lisa Fragner
Screenwriter: Jonathan Kesselman
Cameo: Ed Koch
Melvin Van Peebles
Cinematographer: Kurt Brabbée
Composer: Michael Cohen
Executive Producer: John Schmidt
Edward R. Pressman[/QUOTE]






Currently airing on Comedy Central

[SIZE=3]Currently Airing on Comedy Central, NO! I did NOT watch it.[/SIZE]

France is a big smelly cheese in the world’s grocery,
by Jonah Goldberg, Union-Leader (New Hampshire), December 27, 2004
"Ah, Christmastime. Joy to the world. God bless us, everyone. Through the rapturous din of carols and chimes, a stray condemnatory note can be heard, chastising the yuletide revelers for being too materialistic, too concerned with gifts that come wrapped in pretty paper and shiny bows. Who can help but sympathize with such concerns, as the groaning hordes of shoppers appear like Huns outside the doors of Wal-Mart? That is why I am so grateful for a special Christmas present — holiday present, if you must — for the whole world. No mere thing or shiny bauble, this present is an idea, glowing with an ecumenism that fires the mind and illuminates the heart, uniting nearly all mankind in fellowship. What idea is that? Why, the total destruction of France, of course. No, no, I don’t mean — or want — to kill the French people and salt the earth where they live. That would be wrong. I mean the destruction of France as an idea, as a shining fromagerie on a hill, serving as a beacon of asininity to left-wing radicals and a siren to kleptocratic Third World dictators, who, after a career of mass murder, want decent medical care, a good lawyer and a fresh croissant. Two new books are out that attack the cheese-eating surrender monkeys from two of France’s three most vulnerable sides, facts and logic (the third vulnerability, duh, is its border with Germany). For centuries France has claimed a monopoly on political virtue by glomming all the credit for the Enlightenment, and by pretending to be its anointed protector throughout history. Gertrude Himmelfarb demolishes the first part of this myth in her scintillating intellectual history “The Roads to Modernity: The British, French and American Enlightenments.” The Enlightenment was that moment when mankind allegedly first threw off the shackles of superstition, tribalism and tyranny, and embraced reason, universal human rights and democracy. Personally, my own view on debates over the Enlightenment can be summarized by Mike Myers’ Scottish crank character from “So I Married an Axe Murderer”: “If it’s not Scottish, it’s crap.” Himmelfarb updates this ancient wisdom by persuasively placing the Scottish Enlightenment under the rubric of the British Enlightenment, so as to join Edmund Burke and Adam Smith in a single tradition. She also adds another Enlightenment, the American, to the mix as well. The French have long tried to claim that the American Revolution is merely an offshoot of the French Enlightenment project. Himmelfarb disagrees. She shows that the French took a different road to modernity than the Anglo-Americans, who took similar but slightly different routes. The British valued virtue more than liberty, the Americans had it the other way around. But where the French differed is that they sought to replace the religion of old Europe with a new cult of reason. They even made Notre Dame Cathedral into a “Temple of Reason.” By making a religion out of politics, with the state at its center, the French never embraced liberty the way Anglo-Americans did. It was this legacy which lent intellectual heft to all the great dictators, Napoleon, Mussolini, Hitler and Stalin. My friend and colleague John Miller picks up the story basically where Himmelfarb leaves off. In “Our Oldest Enemy,” he and his co-writer Mark Molesky debunk the mythology that America and France were anything like sister republics fighting side by side in lady liberty’s defense. Yes, the French throne — not the Enlightenment philosophes — helped us out during the American Revolution, but that was a calculated attempt to give Britain a wedgie. But before that — during the French and Indian War — and almost ever after, the French have practiced a nasty Realpolitik towards America and the world. The French supported the Confederacy in the Civil War, and let’s not count how many Frenchmen supported the Germans — and the Holocaust ... So joy to the world, and down with the French! But I repeat myself."

http://www.vnnforum.com/showthread.php?t=13696
warlord

and here is my thread on it also
http://www.vnnforum.com/showthread.php?t=13466