The Truman Show is an allegory of the White Mans Plight.

Jim Carrey plays Truman Burbank, a nice and friendly White Man who is deceived by everybody, even his wife. The whole world has joined forces to keep him forever a slave. He must not in any way be allowed to question the role he's been given. Above all he must not be allowed to leave the island of Seahaven. And when he tries his wife, family, friends, co-workers, everybody, hunts him like a fox.

The key scenes for understanding this film comes in the middle when the director Christof (Christianity) is interviewed in a TV-show. Here are some of the revealing scenes:

In a flashback we see Truman as a kid in school. He says: "I like to be an explorer, like the great Magellan."

The jewish-looking teacher: "Oh, you're to late, there's really nothing left to explore."

Then the interviewer asks Christof of the economic impact of the show: "The show has generated enormous revenues - up to the gross national product of a small country."

Christof: "People forget that it takes the population of a entire country to keep the show running." This country, or rather nation, consists of cirka 14 million people, spread all over the world, many of them working in the TV- and movie-industry. (To keep the show running = to keep the White Man working, and by his productivity supporting the jews.)

Interviewer: "Why do you think that Truman has never come close to discovering the true nature of his world until now?"

Christof: "We accept the reality of the world with which we're presented. It's as simple as that." Just after he has said that we see two white men, apparently not too bright, nodding in agreement.

The Truman Show is of course a Hollywood production and as kosher as everything else that comes from there. But still it gives a small glimpse of hope. It comes from Trumans lost girlfriend. She gets a chance to talk to Christof over telephone during his TV-interview. She says: "He's not a performer, he's a prisoner, look at him, look at what you done to him."

Christof: "He could leave at any time, if it was more than just a vague ambition. If he was absolutely determined to discover the truth, there's no way that we could prevent him."

Christof: "I think what distresses you, really, caller, is that ultimately Truman prefers his cell, as you call it."

Trumans lost girlfriend: "That's where you wrong, your'e so wrong, and he'll prove you're wrong."

He does. In the end Truman breaks out of his cell. That's a real paradoxical ending, coming from Hollywood. I think this film is of the same kind as "They Live". It is a "revelation of the method", as Eric Thomson calls it. By revealing for the White Man that he is a slave, and he still does nothing about it, the sin passes from the perpetrator to the victim.

On the other hand, I found The Truman Show to be yet another covert slap at the best that once was White America.

Notice that the faux town that Truman lives in is clean, filled with whites, is pleasant and law-abiding, and so on - everything that modern, multiculturalized towns and cities in America are not.

In essence, The Truman Show is saying that pre-multicultural towns like the one Truman lives in were NOT good things - were, instead, nothing more than insidious respositories of white racism, and so are something that a "good guy" like Truman would want to escape from.

No, Hollywood once again has slipped in another attack against whites, and The Truman Show is but another ugly example of that.

That's what I like about this Forum. Here, Lars Redoubt and Nuclear Thoughts have both given somewhat contradictory takes on this movie, and yet both have made extremely good points which support the WN position.

But that's the way of Hollywood movies. Inevitably, they illustrate the ambivalence of the jew who makes them. He loves to deceive and to deride while disguising himself as a friend, yet he also craves to be noticed. The Truman Show did display this duality very clearly.

Redoubt's version shows the jew at work, gleefully "proving" that the stupid goy loves his captors, the jews. Nuclear's version shows the jew "proving" that good people agree with him, and that they want to live in a world which is run on his rules.

Another movie which illustrates this is The Mighty Wind. More of that in another thread.

Me I see everything as Hinduism becasue it means so much to me, but I can dig your take on the show and I like it a lot. The Flim was awesome, and the ending incredible, very powerfull when truman broke throught the sky (sky drop).

Hindusim take same as the matrix: Life is an illusoion and nothing is real, only the soul is real because its a little part of the Supreme. And the Goal is to get out of here adn never come back. To be free of materialism, to be free.

The Truman Show was pure Jooish agit-prop.