1) The Real Holocaust - Larry Kagan and the boys starve ten million Christian Ukrainians, while goy anti-reporter Durranty hob-knobs with Stalin, wins Pulitzer prize

2) Kwan Air - nigger AA washout tries to commandeer plane, crash it into Fedex headquarters. This happened, was completely covered up by media. Very exciting action pic with potential to make all our points about equality and policies built on it.

3) Who Came First? - documentary (outline completed) on "Iberia, not Sibera" - ie, Whties from Europe were the first men in America. Perfect near-beer Big Lie Lite lead in to Holocaust lie, in that the viewer will find it hard to believe something so big could be lied about/covered up. I have an outline any media producer out there is welcome to use.

4) How the Jews Murdered America - puts flesh on MacDonald spine. Shows you jews spin off supposedly objective scientific theories and academic disciplines as cover for their racist group interests. cover anthropology (race does not exist), and connection to erased borders, 1965 immigration act, "civil rights"

5) Wichita Massacre - would work as documentary or overt drama

* and one more bonus just for good measure

6) The Passion of Jesus Christ - without the philosemitism

What the fuck are you waiting for, White talent?

Any of you maggot-eaters know how to read the signs? Mel's movie's Semitically Correct and its still going to gross 300m, as we predicted. People want this stuff. They hunger for stuff that takes them and their heritage seriously.

MAKE IT.

The greatest maritime disaster in history, by far (and nobody's ever heard of it....)
http://www.natvan.com/pub/98/021498.txt

Or,

http://www.halcyon.com/jim/ussliberty/liberty.htm
(According to the eye-witness survivors, that is; not the "History" Channel's version)

Remake it, only this time TELL THE TRUTH about the Groids that butchered Dr. Diane Fossey.

Of truly great subjects for movies (most likely, all blockbusters, because of their having such extremely rare and such direly needed attributes: truthfulness; and great interest and great consequence to whites) there is practically no end.

But so far, unfortunately, there's no beginning, either!

Working Title: Every jew a Gekko?
Subtitle: The Making and Unmasking of Wall Street

1980s
Jews Michael Milken, Ivan Boesky, Martin Siegel, and Dennis Levine, fleece America. (Gordon Gekko in Jew Oliver Stone's movie Wall Street was loosly based on Ivan Boesky.)

http://www.vanguardnewsnetwork.com/temp/HistoryofOurWorld2.html

So communist kike Stone makes a movie about a criminal cabal of his close capitalist relatives, starring Hymiewood relative Michael Douglas as the ringleader, but gives him the name Gekko. Gekko sounds Greek, right? I have no idea what goes on in Athens, but when was the last time anyone heard of a Greek insider trader at the NYSE or NASDAQ? Sounds like some truth needs to be told.

Then fast forward to selected scenes from Mama KAS's White Men in Suits (be sure to leave the narration to a non-castrado, though):

http://www.vanguardnewsnetwork.com/temp/TerrorTimeline/2002_Swindlers.jpg

http://www.vanguardnewsnetwork.com/temp/TerrorTimeline/2002_Swindlers_WhiteMenInSuits.html

Then back to this sort of thing:

AKTIEN AUF WATERLOO
DIE ROTHSCHILDS
ERICH WASCHNECK

Germany, 1940
GERMAN

A viciously distorted anti-Semitic history of family
fortunes. Finale presents a background of a flaming
Star of David and a map of England. Violently anti-
British. Failed as art, entertainment, propaganda. “As
this film is completed, the last managers of the
Rothschild family are leaving Europe as refugees and
escaping to their allies in England, where the British
plutocrats are carrying on."

http://www.jer-cin.org.il/nazipropaganda.htm

You get the idea.

It's not very original, but a serious bio-pic of George Lincoln Rockwell would be amazing.


http://www.whiterevolution.com/forum14/modules/coppermine/albums/userpics/10126/normal_ROCKWELL1.jpg

I would like to see a pro-white movie about one of the best generals
for the Confederacy, Nathan B. Forrest. He should be portrayed as the hero
he was for fighting the Union carpetbaggers and starting the KKK. My
father was named after him.

N. B. Forrest was a hell of a man. He was the best, an extraordinary asset to his people.
There are many other Southern heroes whose lives would make great films. The cavalry officers, of course, are most dashing; Jeb Stuart, John Hunt Morgan, Mosby, Wheeler, Quantrill, Bloody Bill Anderson. The last two figure in accepted subject matter dealing with the James /Younger gang.
Maybe now that he has seen Mel Gibson's example Ted Turner will grow some nuts and make another movie for Whites.

I would like to see a pro-white movie about one of the best generals
for the Confederacy, Nathan B. Forrest. He should be portrayed as the hero
he was for fighting the Union carpetbaggers and starting the KKK. My
father was named after him.

How about a documentary along the lines of the famous Luke Ford essay, "Jews in Porn." You could start with the top of Vivid entertainment Steve Hirsch, go all the way through some famous names like Hedgehog and Nina Hartley. The thing to do would be to get some liberal Jew to write the screenplay and really make it disgustingly philosemitic and overthetop in its proporn subtext. The whole thing could be the worst stinking vomitus ever made. The Jews would promote it endlessly. The net effect would be more evidence the Jews are sick exploiters widely distributed. While at the same time taking money from sickos interested in movies about porn industry. Thus Jew-do. Oh yes one more thing. We get a healthy cut of the profits which would be plowed back into our own endlosung.

I would want to see a movie about Charles the Hammer fighting the Moors. And a movie about the Saxons fighting the christlings and the Rus smashing the khazars. And the old Sagas would make some good films the saga of the Volsungs and Egils Saga would be a good ones........

Well the story about the Saxons would be a tragedy because Charles the Hammer's son hammered the shite out of the them didnt he? If might is right, how was Carolus Magnus wrong? Fact is the christlings to which you refer were none other than the Franks unified by Christianity, and the Saxons were disorganized sqaubblers of the first order not unlike our crowd today.

Working Title: Every jew a Gekko?
Subtitle: The Making and Unmasking of Wall Street


......
You get the idea.

Right, it should have been Gordon Abraham Gekkostein.

......
If the passion of poo was made again I would want a semitic looking jew and follow him around and watch him rant like the nut he was maybe even have him drooling.LOL

Great idea. Abe Foxman is already working on that. Give him a while. In the meantime, you can content yourself with Mel Brooks on the topic. There's plenty of Jew blasphemy to be found on the topic.

How about this silent short story?

Well the story about the Saxons would be a tragedy because Charles the Hammer's son hammered the shite out of the them didnt he? If might is right, how was Carolus Magnus wrong? Fact is the christlings to which you refer were none other than the Franks unified by Christianity, and the Saxons were disorganized sqaubblers of the first order not unlike our crowd today.

I am sure a movie about Christian Franks killing Pagan Germans would make every sticklicker's mouth water, thereby proving what is most important to them -- race or their jew-on-a-stick, but "might is right" simply means that there is no "right" and "wrong" in the universe as religions would have it; the strongest survive, and that is that. But that the French Christians succeeded in the killing of their European brethren doesn't make it good.

Disorganized squabblers? Something like Negroes, I suppose?


I'd like to see a movie about some Algerian pieds noirs (the French population) moving to France after Algeria was given to the Arabs, and watching how their country is taken over by anti-White socialist propaganda on all levels, then helping to start the Front National together with Jean-Marie Le Pen, who, amazingly, studied law while serving as a paratrooper in Algeria. It would be an uphill battle against all the forces of oppression, but in the final scene an aging pied noir watches his grandchildren play on a meadow outside Bordeaux, laughing and picking flowers, and then he knows it has been worth the struggle.

A movie about the White Army in Russia, fighting the Bolsheviks to the bitter end, would be nice too. Or even better, a movie about how the White Army in Finland beat the Red Army, the communist traitors that wanted the country to join the Soviet Union, during WWI. It could be about two cousins, friends since childhood but fighting on different sides during the war, and yet meeting up every now and then when they are on leave to have some beers and take sauna baths together, promising that if they see each other on the battle field they won't fire, thereby showing that blood is thicker than ideology. (The story of an ancestor of mine, incidentally)

And of course, a nice science fiction story about a future Europa, where an oppressive European Union falls apart and White armies fight on the streets of every capitol, not against Red armies this time but against Black ones. Monumental scenes where Germans come to the aid of an Amsterdam in flames, where Parisians recapture their city street by street, and where Brits wage a guerilla war in the forests led by a charismatic hero. Perhaps something similar about the United States as well.

But who would play the darklings? I think cartoons have a role to play here. There are some good adult anime movies, we could do something similar with White movies. Not that I know anything about such technology myself, but I figure it becomes easier and cheaper to make all the time.

I just thought of one ,the other day.A parody of 50's teen horror flicks,titled:

"I WAS A TEENAGE NIGGER LOVER!!"-The cautionary tale,or a naive,innocent,self-righteous,blonde,blue eyed White girl,who ,through endless exposure to TV and the radio,get brainwashed into believing that niggers are the salt of the earth,gets hyp-mo-tized by nigger "music"/"dancing",nigger slang,and savage sexuality/charisma,comes to hate her race/family,White friends,and,blonde,blue-eyed boyfriend ,Johnny,believing them to be square and dull,and leaves them behind,in spite of them all telling her about what sub-human animals nigger really are.She ,of course,thinks they're "close-minded",and racist.

Over the course of time,however,she learns the verrrrrrry hard way,how vicious,how ignorant,how inarticulate,how childish,how hot headed,how self-absorbed,how selfish,and how suffocating,both mentally and sexually,nigger men are toward their "wimminz".She also sees other White girls ,aslo fucking niggerillas,also treated the same way.Now pregnant,she realizes what such a horrific mistake she has made,that the baby will turn out to be just like every nigger.She then persuades the other White girls to get the hell away from the shit-skinned devils ,before it's too late,and to tell every White female they know ,to wake up and realise how evil niggers really are,and the danger it poses to the White Race.She goes back home,apologizes to her family,friends,begs her parents to help her get an abortion."Anything Angel,anything to keep a single nigger devil from ever polluting this family's PURE WHITE BLOODLINE!!".

After the abortion,she goes to her blonde,blue-eyed boyfriend,Johnny,begging him to take her back,how stupid she was,and she wants to have nothing but pure White children,and to teach every one of them i,and their children,and children's children,and on and on ,forever and ever,into being proud to be White,and fight back against niggers ,and sending them alll back to africa,where they belong.Johnny totally agrees,smiles big,takes her back,they get married,with triumphant swelling music.

"I WAS A TEENAGE WHIGGER"

"I WAS A TEENAGE,SELF-LOATHING WHITE KID"

"I WAS A TEENAGE WETBACK LOVER"-Plot basically the same as "Crazy/Beautiful",but,the White girl realizes what savage filth mexicans truly are,leaves him,goes back to White World,proud to be White.

I think any historical epic in which the fate of Europe is threatened could be made into riveting film. One event I would like to see cinematically reenacted is the greco-persian war's battle of Thermopylae 480 BC in which the famous lines were uttered:

Xerxes (Persia) - "The Earth trembles at the marching of my host. Lay down your arms."

Leonidas (Sparta) - "Come and get them".

Not directly related to our struggle today, but an example of valor never surpassed, and thus a good example for Whites.

These are all great ideas for White films. The candidates for possible subject matter are endless. But since sets & elaborate wardrobes cost heap big wampum, and since most of us are currently poor as church mice, I think for now, the best idea is to concentrate on themes that can be realized on a shoestring budget. What's sorely needed - and probably the cheapest to produce of all - are "History" Channel-type documentaries revealing the truth about der ewige jude: focusing the Digital Camera o' Truth on Lazar's kosher monkeyshines in the Ukraine (instead of the 6 millionth jewww-howl about the Hollowcost), or taking Kevin McDonald's brilliant exposure of the snipdick responsibility for the unceasing tide of mexishits off the written page and putting onto the screen in living color - all the facts laid bare for the goyim; photos of the guilty kikes responsible, with incriminating horse's-mouth quotes darkly intoned by a skilled narrator.

I think any historical epic in which the fate of Europe is threatened could be made into riveting film. One event I would like to see cinematically reenacted is the greco-persian war's battle of Thermopylae 480 BC in which the famous lines were uttered:

Xerxes (Persia) - "The Earth trembles at the marching of my host. Lay down your arms."

Leonidas (Sparta) - "Come and get them".

Not directly related to our struggle today, but an example of valor never surpassed, and thus a good example for Whites.

Pressfield is the guy who ought to be trying to get "Gates of Fire" made into a movie. If he's got balls he should go to Gibson who shows a talent for depicting bloody valor.

Pressfield is the guy who ought to be trying to get "Gates of Fire" made into a movie. If he's got balls he should go to Gibson who shows a talent for depicting bloody valor.

I second that notion. :)

Seriously, though, shouldn't we be at least trying to make films, rather just than talk about making them (particularly $200m-budget epics)? There're plenty of ideas we could work with on a shoestring budget. This kind of thing can be done in one's spare time.

These are all great ideas for White films. The candidates for possible subject matter are endless. But since sets & elaborate wardrobes cost heap big wampum, and since most of us are currently poor as church mice, I think for now, the best idea is to concentrate on themes that can be realized on a shoestring budget.

One way around this would be to make these stories into popular novels. More people watch movies than read books, and book readership is declining, but there is still a huge market out there for pulp or 'genre' (action/adventure, military, sci-fi, fantasy, horror, historical, or romance) fiction. Half the novels sold in America today are in the romance genre and millions of dollars are made by successful authors (usually under pseudonyms) who can crank out this shit assembly-line style. If white stories with romantic white heroes can be made into good can't-put-it-down novels the following goals will be achieved:

1. White stories will be produced/ disseminated more cheaply and easily than through film. Book distribution networks are easier to set up than film distribution. Such networks, at least in infant form, in fact already exist in WN circles. It would just be a matter of building on what we have rather than starting from scratch. Also a novel itself is more cheaply made, and requires far fewer people to do it, than a film. Of course the success of this depends on these works being rip-roaring good reads.

2. Once successful, a story from a novel has much more selling power than a script with no such history behind it. With successful White novels out there, White film producers would have a trove of tried-and-true, popular stories to choose from in deciding what to bring to the screen. Even Jewish producers will sometimes bring a White story to the screen if it has enough proven commercial appeal (Lord Of The Rings for example.)

3. Funds from successful White publishing can be used to fund White films or White activism in general.

As a budding writer this is something I intend to pursue myself. I invite other good writers to do the same.

And never let yourselves get discouraged by the false idea that art produced outside the Jew machine can't be successful. Remember The Passion of The Christ. There is a big White world out there, not entirely brainwashed, who will jump at the chance to consume turly inspiring and genuinely entertaining White art.

One way around this would be to make these stories into popular novels.

Who would publish these books? New York publishers certainly wouldn't. And even if one found a publisher, novels filled with racist skinheads, swastika-tattooed Neo-Nazis, and white-hooded KKK members wouldn't appeal to anyone but the choir. Because without a viable publishing house behind this scheme, only the most determined WN writers would get a book out there, as barely a handful have.

In regard to producing WN movies, even low-budget ones, there needs to be two things:

1: Financial backers willing to put up at least $50,000.

2: Writing and acting talent, which would probably be even harder to round up than the money.

Acquire either one, and the other may be easier to secure. Until then, however, WN movies are just pipe dreams.

I would want to see a movie about Charles the Hammer fighting the Moors. And a movie about the Saxons fighting the christlings and the Rus smashing the khazars. And the old Sagas would make some good films the saga of the Volsungs and Egils Saga would be a good ones.

And a flim exposing christinsanity for being what it is jew marxism made to weaken our race for the final blow.

If the passion of poo was made again I would want a semitic looking jew and follow him around and watch him rant like the nut he was maybe even have him drooling.LOL
Ok, you're asking for a movie or book? I have one. I wrote a novel four years ago called 'Man and Nation', about a future race war in America where the whites fight the Mexicans, blacks, muslims when a pro-white party wins the Presidency (after the election is thrown into the electoral college...the pro-whites lose, but the government decides to take them out on orders from 'The Committee', and the army breaks up and joins the whites). It gives all sides, from a grass-roots white leader to his vice-president, a congresswoman targeted by ZOG, and an arab who is determined to make America an Islamic state, to corporate leaders who want 'Aztlan' to be a new model state for 'a rainbow world' that they run. Lots of action, battles, and drama. I sent it to one publisher who said he'd publish it but I had to pay 5,000 which I havn't got. I'm currently revising it. It's eerie, but I wrote it before I read Chittum's Civil War II, and a lot of it is familiar. Three people read it and said they like it, but needs revisions. So, I'm ready and willing when I start re-writes. Also, I've made notes on The Devil Forrest, about Nathan Bedford Forrest. I just did a sci-fi novel about another planet where a race war is implied. So, guys, I'm out there typing away. Also just did a screenplay based on Ormond, an 18th century American novel that is like an early Edgar Allen Poe work where the Illuminati are mentioned. I'm getting actors together for a reading this month. I understand the chances of getting published are hard, but I do think the audience is there.