Just an idea; because many white kids won't listen to anything but hip hop and other shit today, shunning all other types of music, is there a possibility of using it to convert them? Even one, two or three banned/ prohibited songs in the vein of hip hop or rap, could change alot. I myself want this music blotted out from the mass mindset, but I am willing to use the beast's own fangs to kill the beast.

I see this abberation where whites have closed themselves off from white culture and only accept non white culture like a singular gate into a well guarded city with no other entrances or exits. To destroy this city and bring it to it's knees, you launch you nuclear missle into that gateway and pierce the city that way, devastating it from within. Much like an Achilles heel. Or think about the robot in the movie 'The Incredibles'; the only weapons tough enough to kill it were it's own.

Therefore, if they only accept cRap music and hip hop, we send our message in with it. We may even be able to ruin rap music and hip hop for good this way.

Tell me what you think.

Forget I even brought this up, just check out pokerface (http://www.pokerface.com), and support them.

Just an idea; because many white kids won't listen to anything but hip hop and other shit today, shunning all other types of music, is there a possibility of using it to convert them? Even one, two or three banned/ prohibited songs in the vein of hip hop or rap, could change alot.

Hip hop can be distilled down to its most basic element, which is essentially the John Bonham rhythm from Zeppelin's "When the Levee Breaks". Groids can prattle on about James Brown and "funk" all they want, but hip hop didn't become popular with White kids until it began incorporating rock rhythms and instrumentation. (The original hip hop was a Kraftwerk-inspired, more electronic form). I'm referring to the 80s here--today's hip hop is something quite different, but it retains that underlying rhythmic structure. What you put on top of that rhythmic structure can be anything from heavy metal guitars to techno synthesizers to sound effects to 1940s pop music. The more adventurous White producers have done all that, and more. DJ Shadow, for example, has done a number of tracks which don't bear any resemblance to mainstream hip hop. Most of his fanbase is White.

I guess it depends on what those White kids are responding to in hip hop. Is it the beats and basslines, or the lyrics, or the "culture"? Rock and industrial bands have incorporated hip hop rhythms--albeit it with different percussion sounds--dispensed with the rapping bullshit, and put their own style of lyrics and instrumentation on top. It can be done, but it's a delicate balancing act.

White kids repsond to the rhythm. They want to be rhthymic and sexual. It is natural, as natural as ancestral drums, yet christianity puts a lock down on sexuality, and it's expression. When things are tight like that people resist just to resist. Since white people aren't producing sexual music, the young will seek it out no matter who makes it.

I myself love frentic tribal music, it is a deeper part of me which is the wild warrior who could frenzy with it in the background. White people have still not accepted their animal nature, and we are letting niggers monopolize that aspect of our culture. Young people need to screw and fuck, it is natural, we have those urges to reproduce, and we need to make the music which makes people want to hump each other like wild animals. When niggers make this music, they are in close proximity to white women as they are driven into a sexual frenzy and they end up fucking our women.

We need control over our whole society, including music, and to be more realistic about sex. We need young white people doling what comes naturally, and having fun, and making white babies. Niggers, on the other hand, need a boat trip back to Africa, or a vertical trip to soilville.

Every hear of Neo-Hate? They had some good WN rap songs like "six million more".

As an old guy,who can't stand much of any kind of music past 1975;I think you probably have a very good idea.I think you "reverse psychology" type of thinking is very good here and may prove to be very useful in the future.

In the war we use to say; "it takes a man to get a man".I guess in this case too; it "may" take a White rapper to "get" a nigger rapper(figuratively speaking,unfortunately).

It appears that todays white nationalist music still is stuck in the punk rock era of screaming intangible lyrics to a beat at 200MPH.I think this usually only really interest those who are "newbie" hard core white nationalist and are able to interpret the music codes.

Placing white nationalist statements anywhere and everywhere is always a wise decision at any time;just as Jews and Christians have been doing for decades.

DJ 88 used to have a bunch of house type dance or trance mixes. I think his website is gone. But I have several MP3s of his. They are floating around out there. Some were decent.