Celtic_Patriot
February 7th, 2007, 10:32 AM
MEL GIBSON GOES DIGITAL: HOLLYWOOD FOLLOWS
When Mel Gibson announced he was shooting "Apocalypto" in Digital in early summer, Hollywood Jews scrambled to keep up.
All us WN Media people remember last summer when the Jew Studio bosses all came back from that one long weekend and cut all the jobs and deals in Hollywood and Industry wide across the country. For a few years the Digital camera and exhibition world has been ready and just waiting for the Jew Hollywood studio bosses to commit.
The Hollywood studio bosses met, they conspired like the Jew Cabal Organized Crime that Hollywood is and they committed to the switch from Film to Digital. They had a meeting and conspired to make the switch to Digital. So we saw major cut backs in everything from Agents, to Actors, to Production to Deals.
Mel Gibson shot "Apocalypto" on the Digital "Genesis" camera body from Panavision. The RedCamera coming out this year is the same quality, at a far more affordable rental cost.
THE RED ONE™ CAMERA
So as WN Community, let's take a look at some of our most realistic imaging for WN Content. The Red Camera at 4K resolution is twice that of HD and above print film exhibition resolution. It has the same or better image resolution as Mel Gibson's Panavision "Genesis" and const's $500 for a two day weekend rental, shoot around the clock with several WN teams and projects and share the contract costs.
Specs: Red is the camera body system and Mysterium is the digital sensor.
RED RENDERS OBSOLESCENCE OBSOLETE
The RED ONE™ body - designed for flexibility and functionality. Weighing in at under 7 lbs, a streamlined packaged designed specifically to maximize your shooting options, along with a 35mm PL lens mount allows you to take advantage of the worlds best optics. Modular and upgradeable, the RED ONE™ camera is a future-proof acquisition system you can build upon. RED ONE™'s modular design means you can upgrade with us as we add new features, accessories and improve system specifications.
PIXEL SHIFTING AND
UP-REZZING NOT SPOKEN HERE
Typical high-end HD camcorders have 2.1M pixel sensors and record with 3:1:1 color subsampled video at up to 30fps. We deliver 12M pixels at up to 60fps and record RAW, or 2x over-sampled HD in 4:4:4 or 4:2:2 - your choice. That’s more than 5 times the amount of information available every second and a vastly superior recording quality. Don’t need all that data for your workflow? Dial it back, and keep all the other advantages of the Mysterium™ Super 35mm cine sized (24.4 x 13.7mm) sensor. You get the same breathtaking Depth of Field and selective focus as found in film cameras. Mysterium™ boasts a greater than 66db Signal to Noise Ratio thanks to its large 29 sq. micron pixels. And 12,065,000 pixels deliver resolution that can only be called Ultra High Definition.
RED ONE IS A MODULAR DESIGN
Shoot lightweight ENG style (body less than 7 lbs., in rugged magnesium alloy) or load it up to shoot a feature film. Initial options will include RED-CAGE™ for mounting accessories and “growing” the camera body. Configure for tripod, crane or long lens applications. Onboard or external high-resolution RED monitors come equipped with advanced tools for framing, exposure and focus. The RED ONE™ camera has numerous stainless steel mounting points on the body to allow hundreds of optional RED and third party accessories... some that haven’t even been dreamed of yet.
The most convenient way to contact Red Digital Cinema is via email at 4k@red.com. +1-949-206-7900 or Fax +1-949-206-7990. Lake Forest, California and available Monday - Friday, 9:00 AM - 5:00 PM Pacific Time.
[1]
THE RED ONE™ CAMERA IMAGES
Camera body:http://red.com/images/temp2.jpg
HD DVD is not above 4:4:4 so we are safe with identical color depth to Film emulsion. We have to see what the actual shooting shots appear like from this camera in the summer of 2007. They could be like the shots in "Apocalypto".
http://red.com/
http://red.com/gallery-still.htm - 4k stills.
(4k means four thousand pixels across, most film is above that, but everything we've seen scanned into DVD is often just 2K resolution. HD signal is about 2K res, 2000 pixels across horizontally about depending on screen and scan.)
RED ONE™ 4k still:
Small: http://red.com/images/gallery-still/4k_1-thumb.jpg
Large: http://red.com/images/gallery-still/4k_1.jpg
It's a little bit undersaturated, but it has the gamma range we are looking for, all the tonal details are there, we can increase contrast and saturation in post if needed.
It's a good image, there is no clipping of the darks or lights. Look at that glossy reflection on the bottle, we're actually getting a little detail in that highlight which is really rare for a digital signal, HD even has a hard time getting detail in highlights.
http://red.com/cameras.htm - you get an idea of it's camera body here.
RED ONE™ Camera Forums
http://www.dvxuser.com/V6/forumdisplay.php?f=58
DVXuser.com Red Forum: 1,000 threads, 21,000 posts.
http://dvinfo.net/conf/forumdisplay.php?f=110
Red digital cinema forum:
In summary a 4K camera will be twice the resolution of High Definition HD which is a 2K established industry signal.
A 4K camera will look to us very much like the Film emulsions we are used to seeing. This camera and others like it will be the tools that allow WN's to finally create Dramatic Media that competes visually with Hollywood. Internet distribution and this 4K will end Hollywood system as we know it.
RED ONE™ - Rentals
Key for White Nationalists to LOOK FOR RENTAL HOUSES CARRYING THIS. Inquire at your local Professional Camera Rental house for them ordering one or two of these. The cost of shooting a project with a rental for a few days to well planned production would be in the hundreds of dollars, depending on the package you picked out. There are professional camera rental houses all over in many of the manjor cities: LA, NYC, Chicago, Miami, Boston, Seattle, Dallas/Austin and more.
Weekend Rates:
$495
Pickup on Friday afternoon and return Monday morning - pay for only ONE day or rental. [2]
Los Angeles: http://www.indierentals.com/cameras.html
New York: http://www.duallcamera.com/
Chicago: http://www.fletch.com/
DIGITAL 4K THEATER PROJECTION
"Thomson Advances North American Digital Cinema Rollout Through Strategic Agreement with Century Theatres, Inc. Technicolor Digital Cinema to Launch Beta Test of DCI-Compliant Digital Projection Systems In Century Theatres’ Network in 2006
BURBANK, Calif. - January 3, 2006 - Thomson (Euronext 18453; NYSE: TMS),
Technicolor Digital Cinema business, today announced it has reached a strategic understanding with Century Theatres, Inc., one of America’s largest national theatre circuits, to install DCI-compliant digital projection systems in Century-owned and operated screens. Under the terms of the understanding, Technicolor Digital Cinema will install digital projection equipment beginning with a beta-test deployment of 90-120 screens in the first quarter of 2006. It is Thomson’s intent to place systems in Century’s entire network of 1000 + screens following the successful completion of the beta test."
http://www.technicolor.com/Cultures/En-Us/About/Press/PressRelease2004/ThomsonAdvancesNorthAmericanDigitalCinemaRollout.htm
[3]
Theater Chains with Digital projection: 2007:
Landmark
Century
This is going to give WN's the ability to create WN content that is every bit as realistic in their message as the Jews message that has been shown to the White Americans for the last 80 years.
Realism of the message means that people believe you. Propaganda depends on the "realism" of it's message.
Shoot doc when you want to appear realistically doc - whatever that standard of the time is.
Shoot realism when you want to appear realistic (most movie dramas) - when you want to create a WN version of Reality.
______________________________
References
[1] THE RED ONE™ CAMERA : http://red.com/
[2] THE RED ONE™ CAMERA Rentals: http://www.indierentals.com/cameras.html
[3] Theater chains go digital projection: http://www.technicolor.com/Cultures/En-Us/About/Press/PressRelease2004/ThomsonAdvancesNorthAmericanDigitalCinemaRollout.htm
When Mel Gibson announced he was shooting "Apocalypto" in Digital in early summer, Hollywood Jews scrambled to keep up.
All us WN Media people remember last summer when the Jew Studio bosses all came back from that one long weekend and cut all the jobs and deals in Hollywood and Industry wide across the country. For a few years the Digital camera and exhibition world has been ready and just waiting for the Jew Hollywood studio bosses to commit.
The Hollywood studio bosses met, they conspired like the Jew Cabal Organized Crime that Hollywood is and they committed to the switch from Film to Digital. They had a meeting and conspired to make the switch to Digital. So we saw major cut backs in everything from Agents, to Actors, to Production to Deals.
Mel Gibson shot "Apocalypto" on the Digital "Genesis" camera body from Panavision. The RedCamera coming out this year is the same quality, at a far more affordable rental cost.
THE RED ONE™ CAMERA
So as WN Community, let's take a look at some of our most realistic imaging for WN Content. The Red Camera at 4K resolution is twice that of HD and above print film exhibition resolution. It has the same or better image resolution as Mel Gibson's Panavision "Genesis" and const's $500 for a two day weekend rental, shoot around the clock with several WN teams and projects and share the contract costs.
Specs: Red is the camera body system and Mysterium is the digital sensor.
RED RENDERS OBSOLESCENCE OBSOLETE
The RED ONE™ body - designed for flexibility and functionality. Weighing in at under 7 lbs, a streamlined packaged designed specifically to maximize your shooting options, along with a 35mm PL lens mount allows you to take advantage of the worlds best optics. Modular and upgradeable, the RED ONE™ camera is a future-proof acquisition system you can build upon. RED ONE™'s modular design means you can upgrade with us as we add new features, accessories and improve system specifications.
PIXEL SHIFTING AND
UP-REZZING NOT SPOKEN HERE
Typical high-end HD camcorders have 2.1M pixel sensors and record with 3:1:1 color subsampled video at up to 30fps. We deliver 12M pixels at up to 60fps and record RAW, or 2x over-sampled HD in 4:4:4 or 4:2:2 - your choice. That’s more than 5 times the amount of information available every second and a vastly superior recording quality. Don’t need all that data for your workflow? Dial it back, and keep all the other advantages of the Mysterium™ Super 35mm cine sized (24.4 x 13.7mm) sensor. You get the same breathtaking Depth of Field and selective focus as found in film cameras. Mysterium™ boasts a greater than 66db Signal to Noise Ratio thanks to its large 29 sq. micron pixels. And 12,065,000 pixels deliver resolution that can only be called Ultra High Definition.
RED ONE IS A MODULAR DESIGN
Shoot lightweight ENG style (body less than 7 lbs., in rugged magnesium alloy) or load it up to shoot a feature film. Initial options will include RED-CAGE™ for mounting accessories and “growing” the camera body. Configure for tripod, crane or long lens applications. Onboard or external high-resolution RED monitors come equipped with advanced tools for framing, exposure and focus. The RED ONE™ camera has numerous stainless steel mounting points on the body to allow hundreds of optional RED and third party accessories... some that haven’t even been dreamed of yet.
The most convenient way to contact Red Digital Cinema is via email at 4k@red.com. +1-949-206-7900 or Fax +1-949-206-7990. Lake Forest, California and available Monday - Friday, 9:00 AM - 5:00 PM Pacific Time.
[1]
THE RED ONE™ CAMERA IMAGES
Camera body:http://red.com/images/temp2.jpg
HD DVD is not above 4:4:4 so we are safe with identical color depth to Film emulsion. We have to see what the actual shooting shots appear like from this camera in the summer of 2007. They could be like the shots in "Apocalypto".
http://red.com/
http://red.com/gallery-still.htm - 4k stills.
(4k means four thousand pixels across, most film is above that, but everything we've seen scanned into DVD is often just 2K resolution. HD signal is about 2K res, 2000 pixels across horizontally about depending on screen and scan.)
RED ONE™ 4k still:
Small: http://red.com/images/gallery-still/4k_1-thumb.jpg
Large: http://red.com/images/gallery-still/4k_1.jpg
It's a little bit undersaturated, but it has the gamma range we are looking for, all the tonal details are there, we can increase contrast and saturation in post if needed.
It's a good image, there is no clipping of the darks or lights. Look at that glossy reflection on the bottle, we're actually getting a little detail in that highlight which is really rare for a digital signal, HD even has a hard time getting detail in highlights.
http://red.com/cameras.htm - you get an idea of it's camera body here.
RED ONE™ Camera Forums
http://www.dvxuser.com/V6/forumdisplay.php?f=58
DVXuser.com Red Forum: 1,000 threads, 21,000 posts.
http://dvinfo.net/conf/forumdisplay.php?f=110
Red digital cinema forum:
In summary a 4K camera will be twice the resolution of High Definition HD which is a 2K established industry signal.
A 4K camera will look to us very much like the Film emulsions we are used to seeing. This camera and others like it will be the tools that allow WN's to finally create Dramatic Media that competes visually with Hollywood. Internet distribution and this 4K will end Hollywood system as we know it.
RED ONE™ - Rentals
Key for White Nationalists to LOOK FOR RENTAL HOUSES CARRYING THIS. Inquire at your local Professional Camera Rental house for them ordering one or two of these. The cost of shooting a project with a rental for a few days to well planned production would be in the hundreds of dollars, depending on the package you picked out. There are professional camera rental houses all over in many of the manjor cities: LA, NYC, Chicago, Miami, Boston, Seattle, Dallas/Austin and more.
Weekend Rates:
$495
Pickup on Friday afternoon and return Monday morning - pay for only ONE day or rental. [2]
Los Angeles: http://www.indierentals.com/cameras.html
New York: http://www.duallcamera.com/
Chicago: http://www.fletch.com/
DIGITAL 4K THEATER PROJECTION
"Thomson Advances North American Digital Cinema Rollout Through Strategic Agreement with Century Theatres, Inc. Technicolor Digital Cinema to Launch Beta Test of DCI-Compliant Digital Projection Systems In Century Theatres’ Network in 2006
BURBANK, Calif. - January 3, 2006 - Thomson (Euronext 18453; NYSE: TMS),
Technicolor Digital Cinema business, today announced it has reached a strategic understanding with Century Theatres, Inc., one of America’s largest national theatre circuits, to install DCI-compliant digital projection systems in Century-owned and operated screens. Under the terms of the understanding, Technicolor Digital Cinema will install digital projection equipment beginning with a beta-test deployment of 90-120 screens in the first quarter of 2006. It is Thomson’s intent to place systems in Century’s entire network of 1000 + screens following the successful completion of the beta test."
http://www.technicolor.com/Cultures/En-Us/About/Press/PressRelease2004/ThomsonAdvancesNorthAmericanDigitalCinemaRollout.htm
[3]
Theater Chains with Digital projection: 2007:
Landmark
Century
This is going to give WN's the ability to create WN content that is every bit as realistic in their message as the Jews message that has been shown to the White Americans for the last 80 years.
Realism of the message means that people believe you. Propaganda depends on the "realism" of it's message.
Shoot doc when you want to appear realistically doc - whatever that standard of the time is.
Shoot realism when you want to appear realistic (most movie dramas) - when you want to create a WN version of Reality.
______________________________
References
[1] THE RED ONE™ CAMERA : http://red.com/
[2] THE RED ONE™ CAMERA Rentals: http://www.indierentals.com/cameras.html
[3] Theater chains go digital projection: http://www.technicolor.com/Cultures/En-Us/About/Press/PressRelease2004/ThomsonAdvancesNorthAmericanDigitalCinemaRollout.htm