Tell you what, how about this for a just plain for-fun thread? Post YOUR top ten favorites and be prepared to defend your choices! Bear in mind there's no real right or wrong answers, because there is such a thing as individual taste.

I use the term proto-Aryan because barring Triumph of the Will and Birth of a Nation there are no outright PRO-Aryan flicks.

This is an old "top ten" list of mine from several years ago, before the Lord of the Rings series came out.

LEW'S TOP TEN FAVORITE ARYAN-ISH FLICKS

Birth of a Nation
Braveheart
Dr. Zhivago
The 13th Warrior
The Hunley
The Searchers
The Shootist
The Summer Of My German Soldier
Triumph of the Will
Zulu (1964 version)

First Runners Up:
Miller's Crossing
The Blue Max

[LEW'S TOP TEN FAVORITE ARYAN-ISH FLICKS

Birth of a Nation
Braveheart
Dr. Zhivago
The 13th Warrior
The Hunley
The Searchers
The Shootist
The Summer Of My German Soldier
Triumph of the Will
Zulu (1964 version)

First Runners Up:
Miller's Crossing
The Blue Max[/QUOTE]

-- Here's some others: Olympia, Conan the Barbarian, Das Boot.

barring Triumph of the Will and Birth of a Nation there are no outright PRO-Aryan flicks

The Third Reich produced many, many movies and lots of them are around. A quite refreshing change of pace from kike Hollywood merde, too. Picture quality is not so hot on lots of them...but one can't have everything sometimes.

A bunch of Arnold Frank's mountain films are available (The Holy Mountain, White Hell of Pitz Palu), Riefenstahl's Blue Mountain and Tiefland are around, a bunch of Hans Steinhoff's pictures (The Old and the Young King is particularly good) too. And some terrific documentaries which were much copied by scum bags like Capra in his Why We Fight series - the German originals are much better - Victory in the West and Feldzug in Polan are maybe the best combat documentaries ever made. www.historicvideo.com has lots.

Sounds like a good thread...

I always thought the western flick ARROWHEAD (http://imdb.com/title/tt0045518/) (1953), which is about hater of Apaches, U.S. Army scout Ed Bannon (Charlton Heston) vs. a tribe of Indians (led by Jack Palance in red-face) who are on a warpath to kill all Whites in the territory, was overtly race-conscience.

They even have Heston's character Ed Bannon wearing a pair of Confederate grey trousers with a scene of the U.S. Army captain (Brian Keith) objecting to Bannon wearing because of the fact they're Confederate grey.

Another scene involves a half-breed Indian/Mexican killing herself in Bannon's room where he's being held under guard by the army, and he tells the guard moments later to remove her body by saying, "Get it out of here."

In my view, the Westerns were the most pro-white movies ever made.

They showed whites at their best, taming a frontier, building a new civilization, and defeating a savage, Stone Age people.

Now, I'm speaking of the Golden Era of Westerns, from around the late 1940's to the mid 1960's. Past that point the Western began to die out, as the 1965 Civil Rights Act began to niggerize the white American mindset.

Today, the Western - on the rare occasion when it is made - is used to promote the "evil whites mistreating the noble Red Man" agenda. These 'Westerns' I'm not talking about.

And the greatest Western actor of all?

John Wayne I rank 2nd.

Number 1, though, was....

http://hoover.archives.gov/exhibits/HollywoodCowboys/leading%20men/JIMMY%20STEWARTtn.jpg

Menace II Society - an unflinching look at young black 'groidz as the stupid, armed, intoxicated, useless, criminally violent, conscienceless creatures they are.

This doesn't exactly make it protoaryan, but sometimes what makes us appreciate even the most banal aspects of white people and culture is the shit smudge on reality that is the black plague. Truly 'groidz are a menace to society.

I usually disagree with Gott on this topic but I gotta admit I'm def. curious to see Reich cinema beyond the few propaganda titles that are available for viewing. One of my favorite books of yore is Erwin Leiser's NAZI CINEMA - not for its judgments but simply because there was no other reference source of the many different types of films being made in Germany during the 33-45 period (besides the JUD SUSSes and EWIGE JUDEs, which actually comprised a tiny percentage of the total output).

I have little problem with old movies. Certainly there is more entertainment value...and less objectionable content...in them than there is in the average blockbuster produced nowadays. But feature films, then and now, are both less noxious than television, whose omnipresence and uniformity-of-content is mainstreaming the Death of the West on a 24/7/365 basis.

Hi il ragno and nice to see you here in the madhouse,

There are some marvelous Italian Fascist era movies around too. Mussolini built the largest and most modern film making facility in Europe in 36 or so, and Babelsburg (sp?) outside of Berlin was another just enormous film making community.

The really great thing about National Socialist and Italian Fascist movies is that they don't have the absolutely constant sub-text (sorry, but I just could not resist using the farty term) that jew Hollywood injects into everything both then and now (but more subtle then than now). So, these movies are really refreshing because they are not incessantly pushing the agenda that is always there under the surface of 'our' cinema.

Their outright propaganda can be really fun. Shots of Dunkirk with a voice over about who could run faster for instance. Or another, wonderful German newsreel clip, of a 'jewish fashion show' in NYC where the narrator is hilariously ironic about the grotesque vulgarity and cosmic bad taste of the fashions as the shot pans a bunch of jewesses wearing bizarre shit on their heads. And, what it immediately brings to mind is the clothes from movies like The Women! The context can make all the difference.

Picture quality is usually bad - which is really a shame as both these Italian and particularly German films are of an extremely high technical quality and look very beautiful with good prints.