Fredrik Haerne
July 21st, 2004, 05:46 PM
I just watched the animated Final Fantasy yesterday, and well, what did I expect anyway? They managed to turn it into nothing more than the usual Hollywood propaganda.
The story was written by Japanese Hironobu Sakaguchi, but it was rewritten fifty times during production. The writers are:
Al Reinert (Jew)
Jack Fletcher (dialogue only)
Jeff Vintar (also one of the writers for I, Robot, the movie that butchers Asimov's all-White vision of the future)
The good guys are made up by an Asian female main character, with a White man drooling after her; the strong and silent nigger stereotype that doesn't exist in reality; a female butch soldier; and of course the comic relief is a scrawny, annoying White guy who you want to shoot on principle. I am only surprised the professor wasn't a nigger -- maybe next time.
The bad guy is a White general, who scowls and mocks and is fanatic and stupid.
The most prominent Council member is a nigger, who of course is wise and caring.
The good guys are New Age-lovers of "Gaia", and the bad guy viciously mocks their belief and almost kills the spirit of the earth, after he has managed to destroy New New York.
However, the animation technology is fantastic, a testament to the limitless capacity of the White race. If it becomes easier to use I envision a future where we make animated nationalist movies, White technology finally solving the problem of who will play the niggers. Until then, I suspect that whenever this animated technology is used in Hollywood it will be for the same old anti-White purposes, now aimed at the tech-loving audience.
Look out for this in the coming years: an animated movie where White characters have Black voices, and Black characters have White voices. Would it be too absurd? Just wait and see.
The story was written by Japanese Hironobu Sakaguchi, but it was rewritten fifty times during production. The writers are:
Al Reinert (Jew)
Jack Fletcher (dialogue only)
Jeff Vintar (also one of the writers for I, Robot, the movie that butchers Asimov's all-White vision of the future)
The good guys are made up by an Asian female main character, with a White man drooling after her; the strong and silent nigger stereotype that doesn't exist in reality; a female butch soldier; and of course the comic relief is a scrawny, annoying White guy who you want to shoot on principle. I am only surprised the professor wasn't a nigger -- maybe next time.
The bad guy is a White general, who scowls and mocks and is fanatic and stupid.
The most prominent Council member is a nigger, who of course is wise and caring.
The good guys are New Age-lovers of "Gaia", and the bad guy viciously mocks their belief and almost kills the spirit of the earth, after he has managed to destroy New New York.
However, the animation technology is fantastic, a testament to the limitless capacity of the White race. If it becomes easier to use I envision a future where we make animated nationalist movies, White technology finally solving the problem of who will play the niggers. Until then, I suspect that whenever this animated technology is used in Hollywood it will be for the same old anti-White purposes, now aimed at the tech-loving audience.
Look out for this in the coming years: an animated movie where White characters have Black voices, and Black characters have White voices. Would it be too absurd? Just wait and see.