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IMO one of the best comedy films of all times. Made for a paltry 2.5 mill, Animal House went on to become one of the highest grossing comedies of all times. John Belushi gets most of the credit (and deservedly so) for his role, but Mark Metcalf is equally funny as the "Niedermeyer" character.

Didn't notice any overt anti-white or race-mixing messages, but some may wish to avoid the movie with the number of Jews in the cast and production.

Factoid: Donald Sutherland was brought on in a small role just to have one major star in the cast. He was offered ever a percentage of the gross or a lump sum of 40 grand. Sutherland thought the movie would be a bomb, and opted for the lump sum. If he had taken the percentage of the gross, he would be worth and additional 30-40 million today.

I only saw it once. I remember a guy wearing a german helmet (good), perhaps it's the guy on the left of JC's photo, I think there was also a scene with the white liberal wimps going into a bar with negroes and leaving their girlfriends with the negroes. I suppose that was the jewish message (or I am mixing up two films.

Didn't they all some how end up in a "negro" bar?

IMO one of the best comedy films of all times. Made for a paltry 2.5 mill, Animal House went on to become one of the highest grossing comedies of all times. John Belushi gets most of the credit (and deservedly so) for his role, but Mark Metcalf is equally funny as the "Niedermeyer" character.

Didn't notice any overt anti-white or race-mixing messages, but some may wish to avoid the movie with the number of Jews in the cast and production...

Crikey, you're off about this movie. Written by jew Harold Ramis and directed by jew John Landis, Animal House is inevitably an anti-white film.

I noticed you acknowledged it's jewish roots but you seem to fail to understand that jew-made "entertainment" is either to be avoided or viewed solely for the purpose of analysis. It is patently impossible for a jew to create anything pro-white, or for that matter, even white-friendly.

Without going into too much detail I'll just point out a few examples of this jew propaganda masquerading as harmless entertainment. Prepare to have your little cinematic parade rained on.

The rich frat guys of Omega (omega is the last letter in the greek alphabet) House are portrayed as a bunch of misogynistic, elitist snobs. This may have some basis in reality but the stereotypes when taken to their extremes, as in this movie, present the white man as a mean and humorless old relic, a mere object of ridicule. The old white boy network is the villain in the film. Omega House leader, Neidermeyer, is the living caricature of evil white bigot. He screams he hates he rides a white horse. He spanks pledges asses with great relish. Notice the German surname thrown in for good measure.

From an internet review: "The Delta house is made up of several unique characters. There is the playboy, Otter (Tim Matheson), the loser, Bluto (John Belushi), the immature guy, Boon (Peter Riegert) and the rebel, D-Day (Bruce McGill). They get through college doing the bare minimum. They cheat on tests during the day and party during the night. "

Sure, Otter is pretty fly for a white guy, but the other members of the dysfunctional Delta House are a bunch of lazy incompetents. Some like to cite Belushi's performance as some kind of cinematic legend. A fat coked up med acting like a fat drunken med does not seem like the stuff of legend to me. Belushi's key scene takes place in the cafeteria where he loads his tray with enough food to feed a pen full of pigs then starts food fight after punching his full mouth in imitation of a zit. See, the jew uses Belushi to tell millions of white kids that being fat, crude, lazy, ignorant, and disgusting is cool and hilarious. John Belushi is everything the white man should aspire NOT to be. Thus the jew pushes his image and actions and white kids are made to believe that a disgusting lout is a funny sly guy. His death at a young age was nature's way of removing detritus from the gene pool. Cocaine addicted fatties rarely last long.

My main grudge against this movie: nearly every white person in it is an object of ridicule. Like any jew-written and jew-directed movie, the white race is shown as just a bunch of funny dumb clowns reading jews' lines and taking jews' directions. Now here's a challenge for the jews: make a funny version of Animal House with an all black cast. Bring out those hilarious black stereotypes and bank at the box office. Could the jew do it? What do you think?

Have no doubt, if Animal House were remade today, Omega would be all white while the Deltas would be the picture of multiracial brotherly love and the plot would still be the minority misfits taking on the evil establishment and winning again in fine comedic fashion. Revenge of the Nerds ring a bell?

The plot basically goes: crusty old white man Dean "Wormer" takes a disliking to the losers of Delta House and so enlists some of the better type Omegas in a plot to bring down those rascally Deltas. The Deltas then take their own fight to the "establishment". Sex, gags, and silliness abound.

The Pearl Harbor Speech, though admittedly funny, is simply a way of making the white man look like a drunken ignoramus who can't even get basic facts straight.

D-DAY: (Bruce McGill): War's over, man. Wormer dropped the big one.
BLUTO: Over? Did you say "over"? Nothing is over until we decide it is! Was it over when the Germans bombed Pearl Harbor? Hell no!
OTTER: (Tim Matheson): [whispering] Germans?
BOON: (Peter Riegert): Forget it, he's rolling.
BLUTO: And it ain't over now. 'Cause when the goin' gets tough... [thinks hard] the tough get goin'! Who's with me? Let's go! [runs out, alone; then returns] What the fuck happened to the Delta I used to know? Where's the spirit? Where's the guts, huh? "Ooh, we're afraid to go with you Bluto, we might get in trouble." Well just kiss my ass from now on! Not me! I'm not gonna take this. Wormer, he's a dead man! Marmalard, dead! Niedermeyer -
OTTER: Dead! Bluto's right. Psychotic, but absolutely right. We gotta take these bastards. Now we could do it with conventional weapons that could take years and cost millions of lives. No, I think we have to go all out. I think that this situation absolutely requires a really futile and stupid gesture be done on somebody's part.
BLUTO: We're just the guys to do it.
D-DAY: Let's do it.
BLUTO: LET'S DO IT!!
[Chaos ensues--for most of the rest of the movie]

Oy, what's it gonna take for those dumb goy to organize and do something to resist their destruction and displacement? The world may never know.

And what is a white woman according to this classic comedy? Oh, she's just a stupid bimbo good only for being maneuvered onto her back with legs spread. Bereft of any intelligence, the uniquely beautiful white female is just an object, ditzy and innocent, perfect prey for the buck nigger. Kind of like reality today.

The niggers at the all-black blues bar demonstrate the jews' best use of his nig-tool. The whites enter and immediately all the darkies turn their baleful black eyes on the group of goofy white kids as Otis and the band stop their performance. The blacks' menacing gazes say all too clearly "what the fuck are you crackers doin' in OUR house?". The white yuppies then enter and meekly take a place in the corner. Soon, a group of big nigger bucks come over and ask to dance with the pretty white girls. When appropriate responses are not received, the niggers break off the tables bolted to the floor and simply TAKE that which was not immediately GIVEN by weak ass whitey.

Message: black men get what they want (white pussy and free government money) and no pansy ass white college kids are gonna stop them.

I'm not trying to be a crusty party pooper by over analyzing a silly movie, but if you look a little more closely at this jew cinema, you'll start to see a more unpleasant side to all the hilarity. Propaganda dressed up as harmless entertainment, itz.

Now can I get a "jeez Bragi it's just a movie, relax..."?

Most comedies written today are crude but not funny, but IMO Animal House was brilliant comedy writing. Certainly some on this forum have qualms about watching anything that might have some Jewish involvement, that is why I put in that disclaimer.

Crikey, you're off about this movie. Written by jew Harold Ramis and directed by jew John Landis, Animal House is inevitably an anti-white film.

I noticed you acknowledged it's jewish roots but you seem to fail to understand that jew-made "entertainment" is either to be avoided or viewed solely for the purpose of analysis. It is patently impossible for a jew to create anything pro-white, or for that matter, even white-friendly.

Without going into too much detail I'll just point out a few examples of this jew propaganda masquerading as harmless entertainment. Prepare to have your little cinematic parade rained on.

The rich frat guys of Omega (omega is the last letter in the greek alphabet) House are portrayed as a bunch of misogynistic, elitist snobs. This may have some basis in reality but the stereotypes when taken to their extremes, as in this movie, present the white man as a mean and humorless old relic, a mere object of ridicule. The old white boy network is the villain in the film. Omega House leader, Neidermeyer, is the living caricature of evil white bigot. He screams he hates he rides a white horse. He spanks pledges asses with great relish. Notice the German surname thrown in for good measure.

From an internet review: "The Delta house is made up of several unique characters. There is the playboy, Otter (Tim Matheson), the loser, Bluto (John Belushi), the immature guy, Boon (Peter Riegert) and the rebel, D-Day (Bruce McGill). They get through college doing the bare minimum. They cheat on tests during the day and party during the night. "

Sure, Otter is pretty fly for a white guy, but the other members of the dysfunctional Delta House are a bunch of lazy incompetents. Some like to cite Belushi's performance as some kind of cinematic legend. A fat coked up med acting like a fat drunken med does not seem like the stuff of legend to me. Belushi's key scene takes place in the cafeteria where he loads his tray with enough food to feed a pen full of pigs then starts food fight after punching his full mouth in imitation of a zit. See, the jew uses Belushi to tell millions of white kids that being fat, crude, lazy, ignorant, and disgusting is cool and hilarious. John Belushi is everything the white man should aspire NOT to be. Thus the jew pushes his image and actions and white kids are made to believe that a disgusting lout is a funny sly guy. His death at a young age was nature's way of removing detritus from the gene pool. Cocaine addicted fatties rarely last long.

My main grudge against this movie: nearly every white person in it is an object of ridicule. Like any jew-written and jew-directed movie, the white race is shown as just a bunch of funny dumb clowns reading jews' lines and taking jews' directions. Now here's a challenge for the jews: make a funny version of Animal House with an all black cast. Bring out those hilarious black stereotypes and bank at the box office. Could the jew do it? What do you think?

Have no doubt, if Animal House were remade today, Omega would be all white while the Deltas would be the picture of multiracial brotherly love and the plot would still be the minority misfits taking on the evil establishment and winning again in fine comedic fashion. Revenge of the Nerds ring a bell?

The plot basically goes: crusty old white man Dean "Wormer" takes a disliking to the losers of Delta House and so enlists some of the better type Omegas in a plot to bring down those rascally Deltas. The Deltas then take their own fight to the "establishment". Sex, gags, and silliness abound.

The Pearl Harbor Speech, though admittedly funny, is simply a way of making the white man look like a drunken ignoramus who can't even get basic facts straight.

D-DAY: (Bruce McGill): War's over, man. Wormer dropped the big one.
BLUTO: Over? Did you say "over"? Nothing is over until we decide it is! Was it over when the Germans bombed Pearl Harbor? Hell no!
OTTER: (Tim Matheson): [whispering] Germans?
BOON: (Peter Riegert): Forget it, he's rolling.
BLUTO: And it ain't over now. 'Cause when the goin' gets tough... [thinks hard] the tough get goin'! Who's with me? Let's go! [runs out, alone; then returns] What the fuck happened to the Delta I used to know? Where's the spirit? Where's the guts, huh? "Ooh, we're afraid to go with you Bluto, we might get in trouble." Well just kiss my ass from now on! Not me! I'm not gonna take this. Wormer, he's a dead man! Marmalard, dead! Niedermeyer -
OTTER: Dead! Bluto's right. Psychotic, but absolutely right. We gotta take these bastards. Now we could do it with conventional weapons that could take years and cost millions of lives. No, I think we have to go all out. I think that this situation absolutely requires a really futile and stupid gesture be done on somebody's part.
BLUTO: We're just the guys to do it.
D-DAY: Let's do it.
BLUTO: LET'S DO IT!!
[Chaos ensues--for most of the rest of the movie]

Oy, what's it gonna take for those dumb goy to organize and do something to resist their destruction and displacement? The world may never know.

And what is a white woman according to this classic comedy? Oh, she's just a stupid bimbo good only for being maneuvered onto her back with legs spread. Bereft of any intelligence, the uniquely beautiful white female is just an object, ditzy and innocent, perfect prey for the buck nigger. Kind of like reality today.

The niggers at the all-black blues bar demonstrate the jews' best use of his nig-tool. The whites enter and immediately all the darkies turn their baleful black eyes on the group of goofy white kids as Otis and the band stop their performance. The blacks' menacing gazes say all too clearly "what the fuck are you crackers doin' in OUR house?". The white yuppies then enter and meekly take a place in the corner. Soon, a group of big nigger bucks come over and ask to dance with the pretty white girls. When appropriate responses are not received, the niggers break off the tables bolted to the floor and simply TAKE that which was not immediately GIVEN by weak ass whitey.

Message: black men get what they want (white pussy and free government money) and no pansy ass white college kids are gonna stop them.

I'm not trying to be a crusty party pooper by over analyzing a silly movie, but if you look a little more closely at this jew cinema, you'll start to see a more unpleasant side to all the hilarity. Propaganda dressed up as harmless entertainment, itz.

Now can I get a "jeez Bragi it's just a movie, relax..."?

All true

But first, sometimes I need a good laugh, and Animal House is the best comedy flick ever.

And second, if you can find me even a mediocre comedy movie with a pro-white outlook, I will be sure and watch it. although some of the W C Fields movies aren't bad, but the jews sem to be hiding them.

Third, there were no muds in 1962 when the movie was set, other than blacks in their part of the then segregated towns, partying and chasing girls was all guys had to worry about then.

And lastly, when the maintenance man starts up the chainsaw to cut up the dead horse in the deans office, the look on the face of the deans secretary is the funniest moment in filmdom :D

Landis directed another comedy film a year earlier "Kentucky-fried Movie" which is also quite funny.

Quite a few supposedly comedy films today are just obscene, such as "Something about Mary".

Crikey, you're off about this movie. Written by jew Harold Ramis and directed by jew John Landis, Animal House is inevitably an anti-white film.

I noticed you acknowledged it's jewish roots but you seem to fail to understand that jew-made "entertainment" is either to be avoided or viewed solely for the purpose of analysis. It is patently impossible for a jew to create anything pro-white, or for that matter, even white-friendly.

Without going into too much detail I'll just point out a few examples of this jew propaganda masquerading as harmless entertainment. Prepare to have your little cinematic parade rained on.

The rich frat guys of Omega (omega is the last letter in the greek alphabet) House are portrayed as a bunch of misogynistic, elitist snobs. This may have some basis in reality but the stereotypes when taken to their extremes, as in this movie, present the white man as a mean and humorless old relic, a mere object of ridicule. The old white boy network is the villain in the film. Omega House leader, Neidermeyer, is the living caricature of evil white bigot. He screams he hates he rides a white horse. He spanks pledges asses with great relish. Notice the German surname thrown in for good measure.

From an internet review: "The Delta house is made up of several unique characters. There is the playboy, Otter (Tim Matheson), the loser, Bluto (John Belushi), the immature guy, Boon (Peter Riegert) and the rebel, D-Day (Bruce McGill). They get through college doing the bare minimum. They cheat on tests during the day and party during the night. "

Sure, Otter is pretty fly for a white guy, but the other members of the dysfunctional Delta House are a bunch of lazy incompetents. Some like to cite Belushi's performance as some kind of cinematic legend. A fat coked up med acting like a fat drunken med does not seem like the stuff of legend to me. Belushi's key scene takes place in the cafeteria where he loads his tray with enough food to feed a pen full of pigs then starts food fight after punching his full mouth in imitation of a zit. See, the jew uses Belushi to tell millions of white kids that being fat, crude, lazy, ignorant, and disgusting is cool and hilarious. John Belushi is everything the white man should aspire NOT to be. Thus the jew pushes his image and actions and white kids are made to believe that a disgusting lout is a funny sly guy. His death at a young age was nature's way of removing detritus from the gene pool. Cocaine addicted fatties rarely last long.

My main grudge against this movie: nearly every white person in it is an object of ridicule. Like any jew-written and jew-directed movie, the white race is shown as just a bunch of funny dumb clowns reading jews' lines and taking jews' directions. Now here's a challenge for the jews: make a funny version of Animal House with an all black cast. Bring out those hilarious black stereotypes and bank at the box office. Could the jew do it? What do you think?

Have no doubt, if Animal House were remade today, Omega would be all white while the Deltas would be the picture of multiracial brotherly love and the plot would still be the minority misfits taking on the evil establishment and winning again in fine comedic fashion. Revenge of the Nerds ring a bell?

The plot basically goes: crusty old white man Dean "Wormer" takes a disliking to the losers of Delta House and so enlists some of the better type Omegas in a plot to bring down those rascally Deltas. The Deltas then take their own fight to the "establishment". Sex, gags, and silliness abound.

The Pearl Harbor Speech, though admittedly funny, is simply a way of making the white man look like a drunken ignoramus who can't even get basic facts straight.

D-DAY: (Bruce McGill): War's over, man. Wormer dropped the big one.
BLUTO: Over? Did you say "over"? Nothing is over until we decide it is! Was it over when the Germans bombed Pearl Harbor? Hell no!
OTTER: (Tim Matheson): [whispering] Germans?
BOON: (Peter Riegert): Forget it, he's rolling.
BLUTO: And it ain't over now. 'Cause when the goin' gets tough... [thinks hard] the tough get goin'! Who's with me? Let's go! [runs out, alone; then returns] What the fuck happened to the Delta I used to know? Where's the spirit? Where's the guts, huh? "Ooh, we're afraid to go with you Bluto, we might get in trouble." Well just kiss my ass from now on! Not me! I'm not gonna take this. Wormer, he's a dead man! Marmalard, dead! Niedermeyer -
OTTER: Dead! Bluto's right. Psychotic, but absolutely right. We gotta take these bastards. Now we could do it with conventional weapons that could take years and cost millions of lives. No, I think we have to go all out. I think that this situation absolutely requires a really futile and stupid gesture be done on somebody's part.
BLUTO: We're just the guys to do it.
D-DAY: Let's do it.
BLUTO: LET'S DO IT!!
[Chaos ensues--for most of the rest of the movie]

Oy, what's it gonna take for those dumb goy to organize and do something to resist their destruction and displacement? The world may never know.

And what is a white woman according to this classic comedy? Oh, she's just a stupid bimbo good only for being maneuvered onto her back with legs spread. Bereft of any intelligence, the uniquely beautiful white female is just an object, ditzy and innocent, perfect prey for the buck nigger. Kind of like reality today.

The niggers at the all-black blues bar demonstrate the jews' best use of his nig-tool. The whites enter and immediately all the darkies turn their baleful black eyes on the group of goofy white kids as Otis and the band stop their performance. The blacks' menacing gazes say all too clearly "what the fuck are you crackers doin' in OUR house?". The white yuppies then enter and meekly take a place in the corner. Soon, a group of big nigger bucks come over and ask to dance with the pretty white girls. When appropriate responses are not received, the niggers break off the tables bolted to the floor and simply TAKE that which was not immediately GIVEN by weak ass whitey.

Message: black men get what they want (white pussy and free government money) and no pansy ass white college kids are gonna stop them.

I'm not trying to be a crusty party pooper by over analyzing a silly movie, but if you look a little more closely at this jew cinema, you'll start to see a more unpleasant side to all the hilarity. Propaganda dressed up as harmless entertainment, itz.

Now can I get a "jeez Bragi it's just a movie, relax..."?

Nice review, Bragi!

Bragi, thanks for your excellent review. It shows again that NO jew-made film is innocent. I hope you will send your review to the editor of the main page, it belongs here http://www.vnnforum.com/main/movie.htm

Crikey, you're off about this movie. Written by jew Harold Ramis and directed by jew John Landis, Animal House is inevitably an anti-white film.

I noticed you acknowledged it's jewish roots but you seem to fail to understand that jew-made "entertainment" is either to be avoided or viewed solely for the purpose of analysis. It is patently impossible for a jew to create anything pro-white, or for that matter, even white-friendly.

Without going into too much detail I'll just point out a few examples of this jew propaganda masquerading as harmless entertainment. Prepare to have your little cinematic parade rained on.

The rich frat guys of Omega (omega is the last letter in the greek alphabet) House are portrayed as a bunch of misogynistic, elitist snobs. This may have some basis in reality but the stereotypes when taken to their extremes, as in this movie, present the white man as a mean and humorless old relic, a mere object of ridicule. The old white boy network is the villain in the film. Omega House leader, Neidermeyer, is the living caricature of evil white bigot. He screams he hates he rides a white horse. He spanks pledges asses with great relish. Notice the German surname thrown in for good measure.

From an internet review: "The Delta house is made up of several unique characters. There is the playboy, Otter (Tim Matheson), the loser, Bluto (John Belushi), the immature guy, Boon (Peter Riegert) and the rebel, D-Day (Bruce McGill). They get through college doing the bare minimum. They cheat on tests during the day and party during the night. "

Sure, Otter is pretty fly for a white guy, but the other members of the dysfunctional Delta House are a bunch of lazy incompetents. Some like to cite Belushi's performance as some kind of cinematic legend. A fat coked up med acting like a fat drunken med does not seem like the stuff of legend to me. Belushi's key scene takes place in the cafeteria where he loads his tray with enough food to feed a pen full of pigs then starts food fight after punching his full mouth in imitation of a zit. See, the jew uses Belushi to tell millions of white kids that being fat, crude, lazy, ignorant, and disgusting is cool and hilarious. John Belushi is everything the white man should aspire NOT to be. Thus the jew pushes his image and actions and white kids are made to believe that a disgusting lout is a funny sly guy. His death at a young age was nature's way of removing detritus from the gene pool. Cocaine addicted fatties rarely last long.

My main grudge against this movie: nearly every white person in it is an object of ridicule. Like any jew-written and jew-directed movie, the white race is shown as just a bunch of funny dumb clowns reading jews' lines and taking jews' directions. Now here's a challenge for the jews: make a funny version of Animal House with an all black cast. Bring out those hilarious black stereotypes and bank at the box office. Could the jew do it? What do you think?

Have no doubt, if Animal House were remade today, Omega would be all white while the Deltas would be the picture of multiracial brotherly love and the plot would still be the minority misfits taking on the evil establishment and winning again in fine comedic fashion. Revenge of the Nerds ring a bell?

The plot basically goes: crusty old white man Dean "Wormer" takes a disliking to the losers of Delta House and so enlists some of the better type Omegas in a plot to bring down those rascally Deltas. The Deltas then take their own fight to the "establishment". Sex, gags, and silliness abound.

The Pearl Harbor Speech, though admittedly funny, is simply a way of making the white man look like a drunken ignoramus who can't even get basic facts straight.

D-DAY: (Bruce McGill): War's over, man. Wormer dropped the big one.
BLUTO: Over? Did you say "over"? Nothing is over until we decide it is! Was it over when the Germans bombed Pearl Harbor? Hell no!
OTTER: (Tim Matheson): [whispering] Germans?
BOON: (Peter Riegert): Forget it, he's rolling.
BLUTO: And it ain't over now. 'Cause when the goin' gets tough... [thinks hard] the tough get goin'! Who's with me? Let's go! [runs out, alone; then returns] What the fuck happened to the Delta I used to know? Where's the spirit? Where's the guts, huh? "Ooh, we're afraid to go with you Bluto, we might get in trouble." Well just kiss my ass from now on! Not me! I'm not gonna take this. Wormer, he's a dead man! Marmalard, dead! Niedermeyer -
OTTER: Dead! Bluto's right. Psychotic, but absolutely right. We gotta take these bastards. Now we could do it with conventional weapons that could take years and cost millions of lives. No, I think we have to go all out. I think that this situation absolutely requires a really futile and stupid gesture be done on somebody's part.
BLUTO: We're just the guys to do it.
D-DAY: Let's do it.
BLUTO: LET'S DO IT!!
[Chaos ensues--for most of the rest of the movie]

Oy, what's it gonna take for those dumb goy to organize and do something to resist their destruction and displacement? The world may never know.

And what is a white woman according to this classic comedy? Oh, she's just a stupid bimbo good only for being maneuvered onto her back with legs spread. Bereft of any intelligence, the uniquely beautiful white female is just an object, ditzy and innocent, perfect prey for the buck nigger. Kind of like reality today.

The niggers at the all-black blues bar demonstrate the jews' best use of his nig-tool. The whites enter and immediately all the darkies turn their baleful black eyes on the group of goofy white kids as Otis and the band stop their performance. The blacks' menacing gazes say all too clearly "what the fuck are you crackers doin' in OUR house?". The white yuppies then enter and meekly take a place in the corner. Soon, a group of big nigger bucks come over and ask to dance with the pretty white girls. When appropriate responses are not received, the niggers break off the tables bolted to the floor and simply TAKE that which was not immediately GIVEN by weak ass whitey.

Message: black men get what they want (white pussy and free government money) and no pansy ass white college kids are gonna stop them.

I'm not trying to be a crusty party pooper by over analyzing a silly movie, but if you look a little more closely at this jew cinema, you'll start to see a more unpleasant side to all the hilarity. Propaganda dressed up as harmless entertainment, itz.

Now can I get a "jeez Bragi it's just a movie, relax..."?

Excellent analysis, Bragi. I loved this line: A fat coked up med acting like a fat drunken med does not seem like the stuff of legend to me.

:p

Crikey, you're off about this movie. Written by jew Harold Ramis and directed by jew John Landis, Animal House is inevitably an anti-white film.

I noticed you acknowledged it's jewish roots but you seem to fail to understand that jew-made "entertainment" is either to be avoided or viewed solely for the purpose of analysis. It is patently impossible for a jew to create anything pro-white, or for that matter, even white-friendly.

Without going into too much detail I'll just point out a few examples of this jew propaganda masquerading as harmless entertainment. Prepare to have your little cinematic parade rained on.

The rich frat guys of Omega (omega is the last letter in the greek alphabet) House are portrayed as a bunch of misogynistic, elitist snobs. This may have some basis in reality but the stereotypes when taken to their extremes, as in this movie, present the white man as a mean and humorless old relic, a mere object of ridicule. The old white boy network is the villain in the film. Omega House leader, Neidermeyer, is the living caricature of evil white bigot. He screams he hates he rides a white horse. He spanks pledges asses with great relish. Notice the German surname thrown in for good measure.

From an internet review: "The Delta house is made up of several unique characters. There is the playboy, Otter (Tim Matheson), the loser, Bluto (John Belushi), the immature guy, Boon (Peter Riegert) and the rebel, D-Day (Bruce McGill). They get through college doing the bare minimum. They cheat on tests during the day and party during the night. "

Sure, Otter is pretty fly for a white guy, but the other members of the dysfunctional Delta House are a bunch of lazy incompetents. Some like to cite Belushi's performance as some kind of cinematic legend. A fat coked up med acting like a fat drunken med does not seem like the stuff of legend to me. Belushi's key scene takes place in the cafeteria where he loads his tray with enough food to feed a pen full of pigs then starts food fight after punching his full mouth in imitation of a zit. See, the jew uses Belushi to tell millions of white kids that being fat, crude, lazy, ignorant, and disgusting is cool and hilarious. John Belushi is everything the white man should aspire NOT to be. Thus the jew pushes his image and actions and white kids are made to believe that a disgusting lout is a funny sly guy. His death at a young age was nature's way of removing detritus from the gene pool. Cocaine addicted fatties rarely last long.

My main grudge against this movie: nearly every white person in it is an object of ridicule. Like any jew-written and jew-directed movie, the white race is shown as just a bunch of funny dumb clowns reading jews' lines and taking jews' directions. Now here's a challenge for the jews: make a funny version of Animal House with an all black cast. Bring out those hilarious black stereotypes and bank at the box office. Could the jew do it? What do you think?

Have no doubt, if Animal House were remade today, Omega would be all white while the Deltas would be the picture of multiracial brotherly love and the plot would still be the minority misfits taking on the evil establishment and winning again in fine comedic fashion. Revenge of the Nerds ring a bell?

The plot basically goes: crusty old white man Dean "Wormer" takes a disliking to the losers of Delta House and so enlists some of the better type Omegas in a plot to bring down those rascally Deltas. The Deltas then take their own fight to the "establishment". Sex, gags, and silliness abound.

The Pearl Harbor Speech, though admittedly funny, is simply a way of making the white man look like a drunken ignoramus who can't even get basic facts straight.

D-DAY: (Bruce McGill): War's over, man. Wormer dropped the big one.
BLUTO: Over? Did you say "over"? Nothing is over until we decide it is! Was it over when the Germans bombed Pearl Harbor? Hell no!
OTTER: (Tim Matheson): [whispering] Germans?
BOON: (Peter Riegert): Forget it, he's rolling.
BLUTO: And it ain't over now. 'Cause when the goin' gets tough... [thinks hard] the tough get goin'! Who's with me? Let's go! [runs out, alone; then returns] What the fuck happened to the Delta I used to know? Where's the spirit? Where's the guts, huh? "Ooh, we're afraid to go with you Bluto, we might get in trouble." Well just kiss my ass from now on! Not me! I'm not gonna take this. Wormer, he's a dead man! Marmalard, dead! Niedermeyer -
OTTER: Dead! Bluto's right. Psychotic, but absolutely right. We gotta take these bastards. Now we could do it with conventional weapons that could take years and cost millions of lives. No, I think we have to go all out. I think that this situation absolutely requires a really futile and stupid gesture be done on somebody's part.
BLUTO: We're just the guys to do it.
D-DAY: Let's do it.
BLUTO: LET'S DO IT!!
[Chaos ensues--for most of the rest of the movie]

Oy, what's it gonna take for those dumb goy to organize and do something to resist their destruction and displacement? The world may never know.

And what is a white woman according to this classic comedy? Oh, she's just a stupid bimbo good only for being maneuvered onto her back with legs spread. Bereft of any intelligence, the uniquely beautiful white female is just an object, ditzy and innocent, perfect prey for the buck nigger. Kind of like reality today.

The niggers at the all-black blues bar demonstrate the jews' best use of his nig-tool. The whites enter and immediately all the darkies turn their baleful black eyes on the group of goofy white kids as Otis and the band stop their performance. The blacks' menacing gazes say all too clearly "what the fuck are you crackers doin' in OUR house?". The white yuppies then enter and meekly take a place in the corner. Soon, a group of big nigger bucks come over and ask to dance with the pretty white girls. When appropriate responses are not received, the niggers break off the tables bolted to the floor and simply TAKE that which was not immediately GIVEN by weak ass whitey.

Message: black men get what they want (white pussy and free government money) and no pansy ass white college kids are gonna stop them.

I'm not trying to be a crusty party pooper by over analyzing a silly movie, but if you look a little more closely at this jew cinema, you'll start to see a more unpleasant side to all the hilarity. Propaganda dressed up as harmless entertainment, itz.

Now can I get a "jeez Bragi it's just a movie, relax..."?

Excellent overview. I saw this movie a few months ago (rented for free from the library) and even I could hardly believe how Jewish it was. They also had a blonde Omega guy that could never get it up.

At the end of the video they had the different losers talking about the movie and they mentioned that they modelled the Omegas on the "Nazis" -- something along the lines of 'we did everything but put the swastikas on them'.

What can we do? Our people, even those in the movement, seem to be more concerned about spending huge amounts of money on entertainment and next to nothing on building the future that everyone claims to be working towards.

I remember the line, sorry to interrupt your Hitler Youth rally. But its a stretch to say its anything but negative.

I thought it was hilarious, esp. compared with the recent ultra-PC Van Wilder. Plenty of that shit still goes on, and is made much easier due to hyper-grade inflation.

Re: politics, in addition to what's already been mentioned, recall that the only reason most of those guys were partying in college (as opposed to outside of college) was the threat of the Vietnam draft. We were supposed to sympathize with Bluto & the gang, and conclude that Dartmouth (on which it was reportedly based) had an obligation to keep them in as part of their social responsibility to oppose the war. Just as today the campus has a social responsibility to enroll muds & promote faggotry.

I would have enjoyed it even without the reefer we smoked.

Keystone

Braqi stoned at a public cinema?

Reefer? . Anyone recall Reefer addicts? and Beatniks" a quaint cultural reference that predates the period of the Animal House setting.

Now that Asian multiculturalism and 'divershitty' has left its mark and Belushi is long-dead after o.d.'ing, could the film be remade with a new ethnic cast?:
..........Anima House :rolleyes: