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Originally panned by the critics, today many consider this film one of the best gangster films of all times, and Al Pacino's finest acting performance. Great cast and script.

One of my favorite scenes is where Pacino is berrating the restaurant patrons - "Me, I always tell the truth, even when I lie."

If you took the word fuck, or any variant thereof, out of that movie the script would be a mere 1 page long. I've seen it once and will do my best to avoid seeing it again.

Scarface is a good movie and Al Pacino is one of my favorite actors, but it is a favorite among all the nigger gang-bangers, who admire and probably even try to emulate the character of Tony Montana. That is the kind of characters admired by niggers, drug dealers and killers.

Scarface is a good movie and Al Pacino is one of my favorite actors, but it is a favorite among all the nigger gang-bangers, who admire and probably even try to emulate the character of Tony Montana. That is the kind of characters admired by niggers, drug dealers and killers.

I did notice in the special features that Scarface is a cult fav amongst gangsta rappers. Still, the "Tony Montana" character never gets old.

I don't remember seeing any niggers or jews in this movie. That was nice.

I love that movie. "Hey, Hymie! Say hello to my leetle fren!"

Oy veh, it's an anti-semite movie!! :)

one of my faves. the reason gangster niggers like it is because tony montana was hungry and he rose up and took what he wanted by a successful use of force. that my friends is an attitude we should appreciate, and it is the very sort of ambition that can drive our own thing forwards.

PS I have NO DOUBT "Frank" was supposed to be a JEW. Who in the Spanish world is called "FRANK" other than a Jew? "Hey Frank you fuckin cockaroach! Do JEW know what happens to a fuckin cockaroach? Eh do you Frank?" Keep in mind how many JEWS had and HAVE their fingers in Cuba, and hence Miami, etc. Big Jew turf.

The part where the fine Spanish ethnic Bolivian manufacturer and the proletarian Cuban (Montana) decide to cut the Jew Frank out of the loop-- that was great!

This movie has tons of lessons in it, it is a work of genius.

This movie has tons of lessons in it, it is a work of genius.

Yes, brilliant film. One of a kind.

The part where the fine Spanish ethnic Bolivian manufacturer and the proletarian Cuban (Montana) decide to cut the Jew Frank out of the loop-- that was great!

Not only that but when they pushed that other hebe out of the helicopter.

Not only that but when they pushed that other hebe out of the helicopter.

LOL that was good for a laugh. Also the dialog between Tony and the the girl, what actress was that? She's famous but I cant recall who it was.

Its an okay movie, but dont you think its a bit anti-white? It depicts the cuban degenerates coming to our country and killing off white crime bosses and detectives and then taking over the biz. And then the cuba gets the white woman.

Also the film was directed by Brian de palma, who IMO is a perverted filthy bastard. All of his movies contain some form of fornication. In Carrie he delighted in showing young girls showering in a locker room and having a period, and in "Sisters" he paired a white woman with a nigger.

You do the math

no more antiwhite than reality dude. google "mariel boat lift." castro flushed the toilet in his worst prison and the shit washed up ashore in florida to help ignate the glam drug craze of the 80s.

"yayo"

of course the best thing to come out of that was..... drum roll please....the "bren ten" don johnson carried on miami vice! LOL

no more antiwhite than reality dude.

Agreed. Scarface was hardly a sympathetic portrait of Tony Montana. There was never a moment where I felt he was not a disgusting piece of shit. And that drugged out zombie of a White woman, who ultimatley refers to Montana as "just another immigrant spic", is creepy.

If anything, the film felt like a warning.

Anyone ever see the original Scarface directed by Howard Hawks? Classic stuff.

well, I sort of admired what a hardass he was. "lean and hungry man" like yon Cassius.

I don't know if it can really be interpreted via a Racialist perspective.
It really has very little to do 'with our thing' as AE states.

Of course, Tony the Cuban spic gets the woman - it is all apart of becoming "successful", you know, the whole coming to America and making something of yourself....Tony's got his drug rackett going well, the house, cars, clothes, wads and wads of coke cash....lots of respect from the street drug scene of early 1980s' Miami...so in this warped, highly illegal and dangerous business...yes, Tony is a huge success.

His White piece of ass is a coked up junkie blond who was formely with the jew drug dealer Frank Lopez (Lopez wears a large gold chai hebrew letter around his neck, plus he teaches Tony a little yiddish - "you know what a chaza is Tony? A pig that don't fly straight!").
So, the white junkie woman is just that - a spaced out junkie wife/whore who goes with the guy who is in charge at the moment. Think of her as a package deal along with the drug rackett, etc.
Personally, I thought her character was atrocious.
Tony and his sidekick Manero seemed to have that certain charisma.
A spark along with a strong dose of Cuban Machismo and Latin anger....

Obviously, Pacino and the guy who played Manero on screen are Italian Whites...so they don't convey the nonwhite scummy genetic trash that in the real life most of these immigrant turned drug lords really are...
So to me, Tony and Manero were dare I say, kind of cool.
Yes, I know Hymie wood is glorifying all this, but it is the overall theme of masculine power, violence, forthright and desire to get something that one kind of ends up respecting.

Tony goes through a kind of metamorphosis and does a few 'moral' things.
Like when he doesn't let them whack the journalist in NY who was in his car with his wife and 2 kids....Tony shoots the spic assasin in the head before he can detonate the car bomb.

Tony goes on a rampage and al lhel breaks loose....
It was to bad when he kills Manero and his sister gets killed. Goes to show you the impulsive latin anger can do all sorts of damage because they lack the Aryan coolheadedness and rationality to keep emotions in check in tiems of immense stress.

Overall, Scareface is a deserved classic. Not really racial in any major sense.

A good entertaining flic.

Linder likes to quote the infamous 'say allo to my little friend'....